Furiosa: A Mad Max Saga

  • Canada Furiosa : Une saga Mad Max (more)
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As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home. (Warner Bros. US)

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3DD!3 

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English An excellent flashback to Fury Road. It lacks Max Rockatansky, it lacks the frenetic pace, but the story is more substantial. Furiosa explains the laws of the imagined world. George Miller seems to realize that he skipped over a lot of things and presented them as fact without showing them. He describes a fragile symbiosis that is disrupted by Chris Hemsworth's Dementus, one of the best creations of his career. If it's true that the previous Mad Max was mostly about Furiosa then Furiosa is mostly about the foxy Dementus. He's the one who shows the world turning into an oil-soaked desert. Anya Taylor-Joy is good, but the little girl who plays her when she was young is even better. Weaker music and slightly worse visual effects. Still, very good. ()

D.Moore 

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English Not to repeat himself, George Miller went about it differently this time and decided to focus on what he didn't have time for last time, and we get to know the characters and the world better. But that doesn't mean there's no action. There is action, and what kind of action. The first act alone puts most recent action movies to shame, and it's still just getting started. In short, Furiosa is an excellent film, with a great Anya Taylor-Joy, who actually enters the scene perhaps somewhere in the middle, and a perfect villain played by Chris Hemsworth. I absolutely love it when actors use make-up to help them become someone else entirely, and Hemsworth has done just that to perfection. He's erratic, insane (how else), but he's also hilarious and, in his own way, ridiculous as he speeds through the desert on his post-apocalyptic tricycle. He clearly enjoyed the filming, and I enjoyed the result. ()

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MrHlad 

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English Furiosa was still a child when she was taken from her home. She grew up surrounded by violence and madness, but she never stopped wanting revenge. In the wasteland, a war is brewing between two armies of brutal dictators, and Furiosa intends to be on the front lines. George Miller returns to a harsh post-apocalyptic world, but in a slightly different way than you might expect. There's still plenty of action, and there are so many ideas in a single scene that other Hollywood blockbusters could live off of it for years. However, this time around there are more complex characters and, above all, a greater effort to immerse yourself in a world full of chaos and discover that it too has its own order. Miller delivers another one of his visually lavish and uncompromising visions, and he knows he can afford not to pander to audiences who expect nothing more than more of what they got last time. ()

Filmmaniak 

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English Fury Road was a masterpiece of the action genre and it was so high-powered that it wouldn’t even be impossible to offer more of the same. Though Furiosa is a return to the familiar parched desert world in which water, gasoline and ammunition are worth more than human lives, it also goes its own way and is thus a rather different film in terms of narrative. However, it is still almost as intensely effective as its predecessor and it also offers perfect, breathtaking action, but that isn’t the focal point of everything this time, as attention is concentrated on the characters for a change. The actors are great and the film abounds with creative screenwriting and directing ideas. George Miller has again served up an epic, energetic, uncompromising and entertaining action spectacle in a way that one might expect from directors less than half his age. ()

Goldbeater 

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English This is my kind of revenge movie! We were probably all on tenterhooks as to how it would turn out, but George Miller once again delivers what he promised, with a few surprises thrown in for good measure. While making prequels, where we also know exactly where they're going, may seem pointless and unappealing to audiences, Furiosa will historically be one of those rare examples of getting it absolutely right. Its story works perfectly on its own, it's quite different from its predecessor, the action is exceptionally imaginative and choreographed, and the worldbuilding is again broad and unique. We get a glimpse into the workings of the post-apocalyptic world, the divisions of the factions, the logistics of how they work together. In short, the whole film works under the impression that it has a whole other unseen backstory of everything and everyone, something that many current "shallow" blockbusters are completely lacking. I'm crossing my fingers that it does what it can at the box office, because I'd very much hate to see this franchise head to Valhalla. Miller's still got it! ()

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