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When a good cop (Peter Weller) gets blown away by some ruthless criminals, innovative scientists and doctors are able to piece him back together as an unstoppable crime-fighting cyborg called "Robocop." Impervious to bullets and bombs, and equipped with high-tech weaponry, Robocop quickly makes a name for himself by cleaning up the crime-ridden streets of violence-ravaged Detroit. (official distributor synopsis)

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Reviews (8)

Isherwood 

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English Admittedly, I would have preferred to see this in the hands of James Cameron, but then RoboCop would have lost its unique atmosphere that only this Dutch pervert can evoke. The plot fills the traditional B-movie template of the 1980s, but Verhoeven's sense of characters, relationships, healthy (almost comic book) exaggeration, and brisk pacing elevate this film fully into the A category. Even though the special effects have aged, viewers don't have to hide their smiles indulgently at the crucial moments (the action, the atmosphere), but instead still fully enjoy this unique spectacle. ()

Marigold 

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English Meat and metal classic. Verhoeven reinforced the action time with a bloated can with his favorite news shots, which, from the point of view of the whole, are actually completely unnecessary, but in addition to the classic spectacle, they construct a rather disturbing storyline of the collapsing world of the future. Motives such as the abuse of the police by the private sector and tensions between owners and unions do lag behind, but they also functionally complete the atmosphere. It's straightforward, but it digs so hard with its brutality and foresight that one still feels the slight stomach vibrations from the time when he devoured it like a child in silent amazement. ()

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Necrotongue 

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English Another excellent sci-fi thriller which, together with Terminator, was and still belongs to the best of the 80s. It was also the first Paul Verhoeven film I’d seen, and I became an instant fan. RoboCop is literally packed with thrilling action scenes, but it also contains moments that bring you closer to the character of Alex Murphy, mostly focusing on the memories of his family. Fortunately, pre-1990 films didn't use so much of the now typical American melodrama, so these scenes work well. Another big plus is the cast. You’ll hardly find a nastier villain than Kurtwood Smith. ()

gudaulin 

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English RoboCop is a movie for fans of the action genre and a bloody spectacle without much appeal for other viewers. Craftsmanship-wise, it is decently executed, which is expected from Paul Verhoeven, who is experienced and skilled. In some moments, it has a slightly cheesy tone, but again, that is not surprising from Verhoeven. Overall impression: 40%. A film that draws on nostalgia and a teenage audience's perspective. ()

lamps 

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English Another sci-fi classic from the 80s. It may be far behind Cameron's Terminator, but Verhoeven shows his flair for the genre introducing a new iconic action hero to the world. In some moments, of course, it's clear that this film is no longer one of the youngest, but the imaginative and typically Verhoeven gory action scenes make up for it. The future is portrayed quite soberly, without flying cars or buildings, which the visual effects crew probably didn't feel like doing anyway. Instead, we see grim streets filled with violence, burglary and rape, the resolution of which is a routine and relaxed affair for RoboCop, much like going number two is for us. This film won't captivate or surprise, but it will always entertain. 75% ()

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