Grapes

Considering that the second part is a terrible stupidity without any idea, the first part works and the characters haven't managed to annoy each other so much yet. True, 50% of the success is mainly due to wine and Moravia, and the rest will be taken care of by the actors and a fairly decent script. I remember "Bobule" quite fondly, although I prefer to forget about the sequel. The dramatic story works quite well here, but in the end, it's mainly the wine that stays in your memory. (2013-12-23)

I wouldn't mind at all if this had been a milestone between what Czech film has been and will be. I'm just tired of watching those bitter comedies, I don't want to watch the plight of ordinary people when it's handled the same way over and over again. Fine, this is not a work of art; but it's not a typical American comedy, either. It's an interesting film. It's a movie where everyone’s always drinking. It's a movie with lots of shots of Moravia. I didn't even know there was anything that nice in our country. So I guess I'm grateful for that. It's not a movie I'll remember days later. On the contrary, after a couple of hours I've forgotten it. Still, I think it's a stepping stone. Nothing that was, nothing that will be. Maybe it’s the sign of a change. Or maybe not; I'm clapping my liver. Without wine. (2009-03-04)

This is a film from which I didn't expect anything special, and that is exactly what I got. The Moravian landscape, which I love, Tereza Voříšková, whom I don't love, but if I could, I would definitely love, and Lubomír Lipský all made it deserve three stars. Grapes has a nice mood, the end of summer is almost breathing out of the film... But only almost, because you still feel like you're flipping through a magazine full of photos rather than "being right there for an hour and a half". (2009-10-25)

I was sick and tired of the constant repetitive jokes about people from Prague (and I'm not from there myself). I didn't even get a proper dose of humor that I expect of a comedy. It made me smile a few times, but my sides remained unsplit. The film’s main assets were definitely Kryštof Hádek, whom I would find convincing even as a scam artist, and Tereza Voříšková, whose cracked voice makes the rest of my functioning nerve endings shiver. (2020-05-04)

An unexpected trip to a place where I felt so good as a viewer. Bařina sent me so much optimism that I drew from it for several weeks. I enjoyed myself, admired, dreamed, and maybe three times I was so absorbed that I didn't believe my own senses. I don't need wine for a lifetime, but here I maybe felt like opening it for the first time. At one time, a promise of hope not only for the summer but also for Czech comedy. It is such a pity that we see so little of this accurate judgment. (2008-04-02)