Everything Everywhere All at Once

The title doesn't lie. But I was more stunned than dazzled by everything that was happening everywhere and all at once, and I didn't buy on it, even at the end, when it turned out that it made sense and they obviously knew what they were doing and why. If they had only done it for maybe an hour and a half, it would have been more digestible for me. I enjoyed it, Michelle Yeoh is amazing, and the film  straddles genres in a beautiful way, as if was directed and written by Bong Joon-ho... But it's far from him. (2024-02-22)

What happens when you mix some of Marvel's stinking failed comic book movies with a bit of The Matrix, Crouching Tiger Hidden Dragon, an attempt at a revolutionary depiction of a story about family values (not) fulfilling their potential and totally WTF (read modern) pop culture moments? An absolutely frenetic travesty, where nobody knows what will happen in five minutes, but at the same time nobody really cares. (2023-03-09)

Unfortunately for me, this highly anticipated film, which I was looking forward to as a potential movie of the year, crossed the line between quirky oddity full of playful ideas and disorganized mess where nothing matters, and not only once. While it always sort of gets back on the track and I was able to follow and enjoy it, I'm used to putting more focused films on a five-star pedestal, films where I can see the filmmakers have things firmly in their hands, and I simply didn't get that impression with Everything Everywhere All at Once, and not only because the finale completely missed me emotionally. The plot gradually gets into such a whirlwind, such a geyser of unlimited imagination, that it's really hard to find any fixed point – not necessarily "logical". Oh, and some of the jokes are trying so hard that it felt embarrassing a few times. I appreciate playfulness and originality, but I would have slowed down a gear or two. (2022-05-19)

The first two thirds are an example of first-class screenwriting, where unpredictable moments are strung together like on a treadmill and the rolling train of invention cannot be slowed down. I should be rightly impressed by Tohlle, unfortunately the Daniels as engineers on coke get so carried away that towards the end it becomes a poorly controlled propulsion vehicle that derails and smashes everyone in the wagon. It's a shame, because there's a whole sequence of scenes and situations that you've never seen in a movie before, and that's valuable. (2023-01-29)

That's how you put together a rock, a Ratatouille, and the long arm of the tax authority, and you get something between Don’t Look Back, Rick and Morty and Big Trouble in Little China. By all logic, it should be a disparate hodgepodge of half-baked ideas, allusions to anything, originality at all costs, and stupidity². All this in charge of someone who happened to have a solid budget and an impressive ensemble, but no producer to hold the reins. And that's what it is. However unlikely it may be (or maybe we are happy that it worked in spite of everything), it is, worlds wonder, a cohesive and tightly grasped whole, which is undeserving of only a slightly overblown runtime. Thanks to confident direction, and the aforementioned perfect cast, it handily manages to throw up one bizarre scene after another, as well as wringing out emotions in a brilliantly effective "family members finding their way to themselves and each other" equation throughout. (2022-07-22)