Russell Crowe plays Maximus, a Roman general who leads the troops in conquering Germania for the empire. When an aging Marcus Aurelius (Richard Harris) tells Maximus that he'd like him to rule Rome once he's gone, a classic confrontation ensues between the brave and charming soldier--who wants to return home to his wife, son, and farm--and the jealous and conniving Commodus (Joaquin Phoenix), the emperor's only son, who is thirsty for power. Bought as a slave by the profiteering Proximo (Oliver Reed, in his last role), Maximus must kill or be killed in the ring, battling to save not only himself but the future of the very empire that he loves and honors. (official distributor synopsis)


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EnglishHold the line, stay with me” – Roman general Maximus leads his army into battle, accompanied by Hans Zimmer’s powerful score, which I consider to be one of the best in the history of cinema. Ridley Scott once again serves us a visual feast, at the expense of weaker content. But it must be noted that the content wasn't really that bad, after all, the story also has its historical roots, which makes it closer to the audience. Sometimes the dialogues seemed a bit silly, but I won't dwell on it. The main thing in this well-made film is to enjoy Scott's typical style, the fantastic cinematography, which is incredibly dynamic and detailed, especially in the action scenes, the exceptional editing, and even the sound design deserves praise. ()


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English I used to hate this movie because I didn't like Scott or Crowe. I still don't like Scott much nowadays, but I love Russell Crowe because he's just a great actor. And even though I would like to rate the movie even higher, I can't because it simply contains elements that bother me. Like the unnecessary pathos. Even so, it's still a spectacular show. ()



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English A clear disappointment after the first viewing. As a big Scott fan, I was expecting a big return of the Master. Actually, visually it was "Scott" and the music was monumental as well, but the shallowness of the script was unpleasantly surprising and the stupid dialogues made my toes curl. Also, as someone who is somewhat interested in history, it made me laugh a lot. But I’m used to it already. I've accepted the fact that it's an ordinary popcorn movie, visually it's awesome, Joaquin Phoenix is great and so I won't go below four stars. ()


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English Ridley Scott resurrected a "historic" Hollywood feature film in all its splendor... in all its color, pomp, schematics, pathos, and shallowness. He created a work that appeals to the viewer's eye, but as soon as it resorted to thoughts, I felt like I was at a failed "Roman statehood for beginners" class (no one can convince me that Gladiator is not utter nonsense at its core). When something is "happening," Scott's film works brilliantly, but during the dialogues it slips into typical empty verbal nonsense, and if were not for the way in which the Crowe-Phoenix duo masterfully fulfilled their schemes, very little value would remain in Gladiator. Ridley Scott truly deceived me with his approach. His directing is routine, cold, and perhaps only in battle sequences we can talk about a unique approach (although a shaky handheld camera and "skipping" windows is not the master's invention). What I am missing in this film is some true spirit... people are constantly blabbering on about Rome, but unfortunately it remains a mere dream (a rendered background) for the quality of the film. That's why I prefer the ideas of William Wallace or Captain Nathan Algren. For me, their struggle has a greater charge than revenge for the death of loved ones, which has been played out a thousand times over. Ridley Scott simply played a pompous symphony based on old notes. It is the same as Hans Zimmer's music - it evokes desirable emotions, sounds powerful, heroic... That's what is expected of a big movie after all, isn't it? But I argue that what was expected of the film has already been portrayed better several times, although perhaps not as megalomaniacally. ()


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English Without exaggeration, the best historical movie ever made. Under Scott's direction, the film has the right pace and keeps growing incredibly over time. The script isn't anything special, a great fall and a subsequent rise, but I just can't help myself. When I factor in Crowe’s brilliant performance, Zimmer's excellent soundtrack as usual, and great visual effects, it goes straight to my list of favorites. ()

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