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A mysterious and wild-eyed new cash truck security guard (Jason Statham) surprises his coworkers during a heist in which he unexpectedly unleashes precision skills. The crew is left wondering who he is and where he came from. Soon, the marksman’s ultimate motive become clear as he takes dramatic and irrevocable steps to settle a score. (SF Studios Fin.)

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D.Moore 

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English This is what a purposeful remake should be. From the original story, which I liked, Guy Ritchie took the most important thing, added a lot of new things, and made a film that I like even more. The uncompromising dark atmosphere draws you in with the first scene and continues to roll to the sound of flawless creeping music, mixing with the roar of trucks and gunshots. Yes, since the hero is played by Jason Statham, unlike the French original, what he can do is not that surprising, but many other things and characters, including the perfect Scott Eastwood, who obviously can act when given the chance, do surprise. I probably most enjoyed the chapter Scorched Earth, in which the boss and the team followed the footsteps and which was really dense. Great job! ()

J*A*S*M 

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English In the first act I had a problem with the characters, they seemed strangely out of touch with reality in terms of their behaviour, but once the narrative switches to other points of view it somehow falls into place. Wrath of Man is a masculine film, cold and without any hint of humour. If I didn't know who made it, I'd be much more likely to guess I was watching S. Craig Zahler's new movie than Guy Ritchie's. I don't usually look forward to new Jason Statham films, and I wasn't expecting anything from this one either, but it ended up being surprisingly the best action flick of the year so far. The ending at the depo reminded me of Carpenter's Assault on Precinct 13, which is the best possible calling card. ()

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3DD!3 

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English To begin with, Wrath of Man looks like a Statham classic about a dude with a clear moral compass who eliminates gangs that rob armored cars. GTA style. But I was mistaken. The tough, focused approach chosen by Richie and maintained till the very end reveals that he has grown up at last and can deal with his ego if the story needs it. No music-video type editing and, whenever there is a one-liner, then it’s sexist and homophobic, plus cruel and bloody action. The combination of Zahler’s approach mixed with a Mann’s crime movie works like a well-oiled machine. Benstead’s music amazingly highlights the unpleasant, almost chilling undertones of the whole movie. An excellent role for Eastwood. ()

Goldbeater 

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English Guy Ritchie returned to home territory with The Gentlemen, having a bit of a second wind and showing that he has still got the chops to make those sort of blockbuster movies. So, with Wrath of Man, he has proved that he intends to continue on doing that. It is a stylish crime thriller that is a remake of the 17-year-old (and underrated) French movie Cash Truck and adds more angles, a whole lot more action, and a really powerful shot of testosterone, all set to a melodic and dark musical score. It has been a long time since I have been as impressed by the theme tune to a new movie as I was with this. Had it all been a little less predictable, I would have been more satisfied, however, thumbs up nonetheless. ()

Pethushka 

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English I've had a long-standing problem with Statham and I just don't enjoy watching him. But when I think about it, I don't think I've seen him do anything better. The superiority and smugness that characterizes perhaps every one of his roles suited me just fine this time. It was funny and tough at first, then hard and ruthless later. Good characters, atmosphere, cinematography, editing. Well, I haven't left a movie theater this impressed in a long time. Then again, I haven't left a movie theater at all in a long time. ()

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