Spider-Man: Across the Spider-Verse

This unbelievably rich animated comic-book movie draws from a deliberate sense of detachment, internet memes, pop-culture references, the long history of comic books and the sense of refinement with which its creators approach the frenetic action scenes and work with the characters. Despite its ultra-brisk pace, abundance of gags and wealth of dynamic action, the thrilling audio-visual feast packed with imaginative details maintains, through the story of two young superheroes and their family background, a serious dramatic level highlighting the quiet emotions and slower dialogue passages built on family relationships and the themes of fatefulness, growing up and the struggle against predestination. (2024-01-04)

I've seen the first Spiderverse several times and I reckon I'll make time for the second one sometime in the future, and not just once. I'm a bit jaded about it now, though. The second animated Spider-Man is awesome and even more imaginative, playful and wilder in terms of audiovisual style, and isn't afraid to mix different styles together. It works well with the music and is simply great to watch. Plus, it works perfectly in the moments when it slows down and tackles romance, drama and emotion. You'll just root for a happy ending for these characters, even though it's obvious from the start that the road to it will be very thorny. Still, I do have one problem with Across the Spiderverse. It's a little too wild at times. The first fight with the The Spot felt a bit confusing and overly fast, and the same is actually true of all the action sequences, which are bigger and have an awful lot going on. I also had trouble keeping up with it a little bit. Even with the first film, I felt like the final battle needed a bit of a looser pace to enjoy it with everything, but here they step on the gas a bit more (it's a sequel rule, so that's to be expected), and I barely managed to exhale after each major action sequence, telling myself that it looked great, but at the same time I had to admit that I probably missed a lot of interesting stuff. I'm a bit sorry about that, because I would have liked to enjoy the movie to the max the first time and not think at the wildest scenes that I might have preferred to flip through an artbook at my own pace rather than watch a movie that was just crazy wild at times. A bit too much for my taste. After a second viewing, hopefully I'll be clear on whether the new Spidey is great or "just" damn good. EDIT: So I went a second time and knew what to focus on and enjoyed it a star more. (2023-05-31)

I gave the previous installment a five-star rating because its originality, blend of animations, action, and humor left a lasting impression on me. Yet, I found myself putting off watching the sequel. Today, I decided to dive into the multiverse. I was concerned that the sequel might not live up to its predecessor, and unfortunately, it turned out to be true. While my disappointment was mild, it was disheartening to see the creators rely on overkill, as if they believed that without overwhelming the audience, they'd fall short. Additionally, I noticed a decrease in humor, which was a significant departure from what made the previous part so enjoyable for me. The shift towards darker and more serious themes didn't necessarily resonate with me; I missed the lighthearted moments that brought laughter. It felt like humor took a backseat to the exploration of various family values. Despite my criticisms, I found myself thoroughly entertained throughout, barely noticing the film's runtime. Still worth a solid four stars. / Lesson learned: Just because you can stick to objects, walls, or people doesn't necessarily make you Spiderman. It might just mean you need to wash your hands. With soap. 4*+ (2023-11-19)

There have been plenty of films about parallel worlds lately, and I'm glad that the second animated Spider-Man doesn't just rip off its predecessors, but like the first one, forges its own path, especially thanks to the phenomenal art styling that goes hand in hand with the engaging story. The imagination of the artists has no limits in this sequel, and you witness a visual concert with several types of animation, as well as live-action (I liked the nostalgic connection to the previous Spider-Men). As I said before, the film also benefits from a story that, in addition to parallel dimensions, works with the rewarding motif of the inevitability of fate, making the viewer think and not just watch mindlessly, as is often the case with animation. The film gets off to a bit of a slow start, but I commend the fact that there was a certain recapitulation of the first film, five years after which the plot picks up speed (the fights with The Spot and the ultimate Spider-Man chase were flawless) and stops only at the open ending, which set the stage for the third installment. A truly outstanding visual experience, and one that would be a sin to watch only on the small screen. (2023-06-14)

A buttload of ideas, a celebration of all the artists who gave each of the worlds a special and unique atmosphere. The action scenes are so awesome that you will want to go back to the cinema very soon, to enjoy and study them. However, it is not only the visuals that keep the viewer engaged, the script also deserves praise. Each character is well thought out, has a mini-story and evolves. The wisdom that the Spider-men/women share makes sense and is fun (because Spidy is a funny guy), every viewer will find something here. I, like Peter B. Parker, also had a daughter since the first episode, and did I identify my paternal stereotypes in him? Of course I did! And that’s how well the characters are written. Everyone will find something. It also has its own fatality and an unusual villain who got caught by a donut in the first film and then had a bit of bad luck. From nerdy scientist and third-rate villain to the destruction of the multiverse quickly and easily? Well, maybe not destruction... maybe, because we'll have to wait for the next part. So, to sum up: after the magazine ad, it steps on the gas pedal all the way to the floor and doesn’t slow down until the open ending. (2023-06-04)