The Tomorrow War

The Tomorrow War tries to bring a flashy science fiction story with gritty action scenes, strong family drama and a heavy dose of explanatory scenes to the television screen, however, it does none of it consistently, originally or memorably. The next day, after watching it, the only thing that sticks in your mind is that it was fairly paced and sort of OK, if you can get past the rushedness and the many really stupid tropes. All in all, it is just a rehash of many things you have already seen in other movies where they were much more skillfully executed, (especially the recent Edge of Tomorrow, whose finale is blatantly copied in this movie), and is unfortunately just a superficial, big-budget TV movie. (2021-07-04)

The Tomorrow War is pure guyish pleasure, an enthusiastic B-movie packed with everything that we love about the action sci-fi genre. Human characters with sincere, emotionally charged relationships, unpredictable and richly escalating plot development, set in an attractive fantasy world, with delicately brisk action and well-made repulsive aliens. Cleverly written and directed with heart, cunningly hiding its art behind a false mask of cheap trashiness, this is the best Emmerich movie without Emmerich. (2021-11-13)

(Possible spoilers!) Chris McKay's film certainly doesn't escape comparison to the (for me) famed sci-fi film Edge of Tomorrow, with the makers of The Tomorrow War also taking a slight nod in the direction of The Thing and Prometheus. The film's biggest negatives are its overblown running time and the sometimes reprehensibly deadpan build-up of the plot, which goes hand-in-hand with a number of typically American scenes (kids and the next generation being the top, the heroism of ordinary people, the blatant political correctness within the cast, etc.). Yet, I'm willing to rise above these aspects to enjoy the decent load of action and a sci-fi level that definitely had potential, albeit slightly buried by the family-themed dialogue. I liked the look of the aliens, the locations, and one almost comic book-like shot that made me think of 300. If the editing had omitted the unnecessary "weeping scenes", which would have shortened the running time, I would have been comfortable with a higher rating. (2021-07-04)

A strange film indeed. Its better parts felt like a thrilling video game I wished I could control. However, this lack of control took away from the overall impression. The weaker moments felt purely American, with a handful of individuals saving the world in typical fashion, the team composition changing based on current trends. In these weaker moments (well, more than moments...), there was an excess of melodrama and flying over Russia on board a Hercules aircraft. The 90s have long passed, yet here we are, with Americans still saving the world just like they did back then. It's getting a bit repetitive. However, I did appreciate seeing Yvonne Strahovski and Betty Gilpin again, which added a certain spark to the experience. (2021-10-11)

In 2021, these alien derivatives may only entertain bacteria and other single-celled organisms. If it wasn’t for the bombastic CGI here and there, it would have nothing. And Chris Pratt's dumb attempts at expressing deeper emotions are quite comical. As Star-Lord he's fine, his awkwardness doesn't matter there, but otherwise he’s very far from a character actor. (2021-07-05)