Den of Thieves
Directed by:
Christian GudegastCinematography:
Terry StaceyComposer:
Cliff MartinezCast:
Gerard Butler, Pablo Schreiber, O'Shea Jackson Jr., 50 Cent, Meadow Williams, Maurice Compte, Brian Van Holt, Evan Jones, Mo McRae, Kaiwi Lyman, Dawn Olivieri (more)VOD (1)
Plots(1)
Set in contemporary Los Angeles, a city with the highest rate of bank robberies in the world, Den of Thieves follows the intersecting and lives of rogue police officers and the state's most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the largest bank in downtown LA. But Den of Thieves is reflective of the world we live in - people are complex, the lines between good and bad are not as clearly defined as we’d like to think, and often, the perceptions of wrong and right are not simply black and white. (Roadshow Entertainment)
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Reviews (10)
Yet another take at cops and robbers, or else Heat with a very likeable array of actors. Butler as the son of a bitch cop at last in his first great role for a long time. Schreiber makes a good opposite number. Top-notch action with a fantastic final shootout in the traffic jam. Great one-liners. Wow.
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The script has more holes than a Swiss cheese, which you can see especially during the well narrated heist and then the final twist, which is anything but clever, even though it wanted to be something like The Usual Suspects. And what do we have otherwise? A clash of two strong personalities and a story that relies on atmosphere rather than action, which we only see at the beginning and the very end. So it's a kind of second-rate Heat, and Butler is no Al Pacino, Schreiber is nowhere near a DeNiro-type personality and Gudegast can’t hold a candle to Mann. But if don’t compare, then the emphasis on the characters, the slower pace, the atmospheric realities of L.A., and the ultra-macho Butler as we want to see him, all sat well enough with me and I'll give the four slightly overrated stars, despite the botched twist.
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Though the visible parallels with Heat cannot be denied, Den of Thieves stands firmly on its own two feet. Whereas Michael Mann, director of the former film, came up with a stylishly refined portrait of two antagonists with professional respect for each other and deals with the ethics of the world of crime and justice, Christian Gudegast offers viewers a precision heist flick with a clever screenplay that deliberately winds up the viewer’s attention. --- SPOILERS FOLLOW --- The story has three central characters, which are presented to us over the course of the film, but only so that we can reassess everything ourselves at the end. However, he gives us ambiguous indications during the film that perhaps everything will not be what it seems. The filmmakers surprisingly use elements of overwrought machismo, where they have sullen mastodons march past the viewers, without in any way depicting them as likable characters. Though, in accordance with genre conventions, we are automatically conditioned to simultaneously sympathise with the cop and appreciate the ingenuity and coolness of his antagonist, over time the film reveals both of them to be unlikable, obstinate assholes. Whoever at first appeared to be a great guy turns out to be a fanatical workaholic, the experienced and shrewd nice guy is shown to be a tragic pawn and revealing the brain of the whole operation shows that whoever can merely play stereotypical masculine roles will always have the upper hand over those who dully live them.
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We finally know how Heat could have looked like if Michael Mann hadn't directed it. What's missing here is the precision of direction, the plot sweep, the feel of concrete, the neon of LA and above all the depth and fatality of the characters. Macho Butler is over the top and Schreiber as a villain, though contrived, needed a more resonant persona. The most interesting character is 50 Cent, thanks to his family background. The original is the materialised reality of everyday life, but this copy is "just a film" that also tends to repeat the classics in places. For example, in the end, and then in the opening thrilling ambush of the armoured car.
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A perfect affair after a long time! Gerard Butler plays another great, tough anti-hero, and I don't think he's had a better role since Law Abiding Citizen (it's a shame this dude does comedies, these movies suit him!). There's a great bunch of thieves, all ex-Marines, capable, intelligent, solidly equipped, who plan to rob a bank that no one has ever managed to rob before. There's less action, but when it gets down to it, it's gritty shootouts that with perfect sound, feel gritty and real, and most importantly, strategic. Butler entertained me a lot with his performance and he played the gangster cop brilliantly. Suspenseful, well shot, well thought out with an unexpected twist at the end, with the highlight of course being the bank robbery itself, which left me holding my breath. A proper guy’s flick. 85%.
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