The Devil's Advocate

Originally, I gave it only four stars, but upon further consideration, I decided to add one more because alongside a very good screenplay, which navigates the mysterious genre in an original way, the film also boasts top-notch casting and amazing performances. Al Pacino excels in the role of the ruler of hell. Keanu Reeves reaches his acting peak, Charlize Theron shows that she's not just a pretty model but also an excellent actress, and Connie Nielsen is beautifully corrupt in her supporting role. Overall impression: 90%. (2006-06-18)

An incredible atmosphere throughout the film, an ensemble cast that reaches to the very depths of their powers, haunting tones of music, and a perfect study of warped psyche and character. Al Pacino was unmatched as the devil and his performance really does border heavily on perfection. It's just a pity that Devil's Advocate had no chance at the Oscars in 1997 because of the competition with Titanic... (2009-08-24)

This film has four big assets: Al Pacino, whose portrayal of the Devil is unique, Charlize Theron, who’s even better as a woman falling into madness, great music by James Newton Howard, and an interesting and novel plot. Keanu Reeves does his best, but he's no match for the first two. Excellent thriller. (2003-04-13)

But yeah, the beginning is slow and the ending is surprisingly bad compared to what we have been watching and how the film seemed in terms of what should be at the end. But those performances, uniquely dominated by Al Pacino, are simply good. Keanu Reeves fit perfectly for this role, but in comparison, you can still see how great Al Pacino is. Some scenes here are absolutely amazing, such as the one in the subway or the opening one in court. (2014-09-25)

Watching it, I never would have guessed that Devil's Advocate went through five years of pre-production hell and that the filming was beset with difficulties and delays. Because everything about it feels like a totally coherent original vision that was fun for everyone to work on, from the actors and camera work to the sets and music. After all, even dead wood like Keanu Reeves gives a decent performance here. The best part is how the main story is propelled through interesting and intense subplots, and when the film opens with a close-up of the confused face of an underage witness, no one thinks that two hours later the main character will be shooting himself in the head surrounded by flames and black candles. Given the way the film slowly doles out information and odd situations, I would give anything to see it for the first time with no knowledge of what's behind it all. This is how genre movies were made in 1997, kids. Years later, I was quite taken aback by Al Pacino's prescient monologue about billions of Eddie Barzoons entering the new millennium. Tony Gilroy writes, others cry. (2020-05-25)