Anthropoid

Of course we would prefer if it was made by Spielberg or Polanski with their elegant optics and artistic touch. Anthropoid has nothing like that. But let’s be glad Sean Ellis made it into at least a decent action thriller. The actors are fine given that the screenplay doesn’t give them much to work with and the period atmosphere is captured well. Ellis also gives it the necessary momentum, like a mechanical but skillful cameraman who knows how to achieve both dynamics and fluidity. The climax in the cathedral is satisfactorily long and precisely escalated. And the main thing: when watching Anthropoid, I was proud for a moment that I come from Czechoslovakia. (2016-10-04)

I'm very much looking forward to the dubbed version, which is probably a first. But otherwise, I have to admit that Anthropoid is a tasteful perspective from the outside and a good counterpart to The Assassination. The Czechs have small roles and, led by Aňa, they add to the atmosphere and the final shootout will make you hold your breath and keep your eyes wide open. (2016-10-01)

I consider The Assassination from Jiří Sequens to be one of the best domestic films ever, and perhaps that is why I was slightly afraid of Anthropoid. Fortunately, there was nothing to worry about. Despite the accents (you can get used to them, but I hope that the best possible dubbing will be created), the film has everything it should have: A comprehensible and more or less untwisted story seen exclusively through the eyes of Gabčík and Kubiš, the great period atmosphere that Renč's Lída Baarová, for example, can only dream of, and, fortunately, also a huge narrative value for the familiar Czech and for the unsuspecting foreign viewer. I can't imagine how crushing the second half must be for someone who knows nothing about Anthropoid. The strain is palpable in the end, the shootout in the church absolutely riveting and the flooding of the crypt so hopeless... It brings tears to your eyes, and thanks to Sean Ellis, nothing that happens feels the slightest bit ridiculous. It's also more than pleasant that the Czech actors are definitely not lost next to the British aces, even Anna Geislerová was a good fit for Prague 1941/1942, and I have to say that she looked very good in the period, and I recommend Robin Foster's interestingly modern soundtrack for independent listening. (2016-09-30)

One star for the convincing-looking Heydrich and K. H. Frank and for casting Jan Budař as Chlumsky. In terms of historical accuracy, it deserves to be booed. The film is inspired by historical events, but only uses a rough outline and names. Already in the opening, the transport of Gabčík and Kubiš to Prague without the necessary documents and in a truck was ridiculous. The resistance equips the paratroopers with cyanide capsules (funny). Many parts of the story were obviously taken from the memoirs of Ladislav Vaněk, who knew hardly anything about the assassination when the war had ended, but his role in the whole operation grew exponentially as the years went by. If he hadn't died, he probably would have convinced everyone that he had planned the assassination and given the order himself. The whole film is in fact a kind of Protectorate sci-fi, which eventually turns into Wolfenstein and has the Germans dying by the dozens. A film that I found much more realistic was the Czech TV film Operace Silver A, which drew on reliable historical sources and offered a much better result even without the co-production. (2016-11-14)

The expectations were sky-high and the result was definitely worth it. Having said that, I definitely recommend watching this movie – if possible – with dubbing. This might be the only movie for which I would recommend that, but at the same time I believe that it’s still better than listening to that “Czech” English spoken by English actors, which, according to the director, was his intention to be able to differentiate Czechs from Germans. And I don’t hold it against him. I got over it quite quickly, but I understand that it might be grating for some people. What was worse was the camera, which in some crucial action scenes was flying around like a rag on the broom wielded by a Ukrainian cleaning lady. But what the hell, I got over that as well and I have to admit that despite some uncertainty during the assassination scene, I was literally excited about the final scene in the church. And that was despite the camera flying about, which added the right amount of confusion to the scene and thus created undoubtedly the best war scene of the past few years. But it’s not only about these individual things. Anthropoid deserves praise mainly as a whole. I don’t think I’ve seen such cooperation between Czech and English filmmakers. That cooperation alone makes the movie unique in my mind. If somebody is giving this a two-star review, I guess they watched the same movie but didn’t perceive what I did. This was the first time that somebody wanted to take a story from Czech, or rather Czechoslovak history and present it to the whole world. And Adam Ellis was a great choice in my opinion. This incredibly sad story deserves global attention. And I believe that Anthropoid did its best! (2016-10-03)