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With the town of Rose Creek under the deadly control of industrialist Bartholomew Bogue (Peter Sarsgaard), the desperate townspeople employ protection from seven outlaws, bounty hunters, gamblers and hired guns – Sam Chisolm (Denzel Washington), Josh Farraday (Chris Pratt), Goodnight Robicheaux (Ethan Hawke), Jack Horne (Vincent D'Onofrio), Billy Rocks (Byung-Hun Lee), Vasquez (Manuel Garcia-Rulfo), and Red Harvest (Martin Sensmeier). As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money. (Metro-Goldwyn-Mayer (MGM))

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Necrotongue 

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English I decided to watch this as a classic western and forget that it’s a remake, but it wasn't much help. As usual, the Americans made it politically correct, so the magnificent seven were missing only a Jew and an Arab to make them complete. The brave Indian doesn't hesitate to put his own life on the line so that the enemy doesn't take the land the settlers took from the Indians. In fact, the whole thing looked like a United Nations meeting. I did like the film quite a bit in the first two thirds, but it quickly lost momentum with increasing poignant scenes and booming epic music. I was only pleased with Vincent D'Onofrio, Ethan Hawke, and Haley Bennett. ()

D.Moore 

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English It's not a bad film, I'll probably like it even more the second time around, because it's not about anything other than entertaining the viewer and not embarrassing itself, and that's a pretty sympathetic approach. Still, I'm sorry that there wasn't a more imaginative remake that would have put The Magnificent Seven in a different setting - it could have been a gangster movie, a story from the Second World War, a Cold War retro, sci-fi from another planet... Look what Pixar did with that tired plot in A Bug's Life. ()

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EvilPhoEniX 

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English Although the original is a film of my youth, I was very pleased with the remake and can declare it a success! The Magnificent Seven is my very first movie in the cinema without any subtitle support, so I might have missed some of the jokes, but I still enjoyed it to the max. The cast is excellent, with the best being Denzel Washington, who enjoys the role to the hilt, he is natural and looks like he was born in Western, his ultimate mode in the finale is a joy to watch. Chris Pratt is a decent second to him, he is definitely a new star, a likable man guy full of charisma who entertains the audience with his humour and magic (we will see a lot more interesting things from him in the future). I personally enjoyed Byeong-heon Lee, he warmed my Asian heart with his knife tricks, which again was a joy to watch. Ethan Hawke and Vincent D'Onofrio didn't shine too much. In terms of action, there are only two major set-pieces, with the final one being perhaps half an hour long and the biggest roar in the wild west we've ever seen. Very intense, explosive, suspenseful, loud and emotional! I found the original better in story building and character introduction, but here the action was more polished and the visuals more stylish (which makes sense). I recommend it. Story 6/10, Atmosphere 9/10, Gore 3/10, Visuals 9/10, Action 10/10, Suspense 8/10, Humor 6/10. Entertainment 8/10, Scares 0/10. 85%. ()

Kaka 

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English A decent and restrained remake of an immortal classic for today's times, bigger, noisier and more ethnically colourful, i.e. politically correct in the way that is befitting and appropriate in every other great film today. Washington pulls it off by walking, looking, and occasionally tossing in a morsel of wisdom, Pratt pulls it off by making wisecracks, and D'Onofrio plays the bear. The rest are essentially extras, which is a shame in the case of Hawke. It should be noted that the execution is also interesting. It’s top-notch, of course, with a fairly weird mix of classic, almost absurd shootout scenes where the good guys shoot in all directions and the bad guys fall like flies, plus well-shot fights mostly with bows, knives, etc. If it was R-rated with more catchphrases, it would have been exactly what everyone wants these days. But Fuqua had too much respect for the original and in his delivery it is both good and bad. ()

Isherwood 

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English The Equalizer times seven. Fuqua doesn't show off that much, and so he only pulls a truly sovereign treat out of his sleeve once. The rest of it is standard action routine that's hidden far below his directorial standards, making the central seven whine even more in their uninterestingness, where about 1.5 charisma works in the flatness of the coffin planks. I've managed to miss out on the original for years, so I was expecting more of a B-action orgy in a Wild West setting than a major creative comparison, but the rescue of the White House chief worked more sovereignly. ()

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