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Will Smith stars as Nicky, a seasoned master of misdirection who becomes romantically involved with novice con artist Jess (Margot Robbie). As he's teaching her the tricks of the trade, she gets too close for comfort and he abruptly breaks it off. Three years later, the former flame—now an accomplished femme fatale—shows up in Buenos Aires in the middle of the high stakes racecar circuit. In the midst of Nicky's latest, very dangerous scheme, she throws his plans for a loop.... and the consummate con man off his game. (Warner Bros. US)

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Reviews (8)

Malarkey 

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English Focus started, offered something, and then bewitched me with the scene where Will Smith tricked a greedy gambling Vietnamese guy. During the scene, I literally stopped breathing, but afterward, it all went too hell because the movie became incredibly boring. Towards the end of the movie, it again scored some points with a more interesting scene and after that, it was already the end. Focus is like that. Overall, it was shit, but here and there it offers a cinematographic delicacy. Well, and whether it is worth watching, you have to judge that for yourselves. If you ask me, were it not for Will and Margot Robbie I wouldn’t even remember it a day after watching it. ()

wooozie 

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English A decent cast and an interesting topic, however, the whole thing kind of falls flat. Plus, I don’t know why but I had a feeling that Smith was incredibly annoyed by his comeback and found it irritating just to be on set. Let’s say it’s the fault of completely uninteresting dialogues or an overall bland story, and Smith will hopefully pull himself together before Suicide Squad. ()

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kaylin 

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English The first half of the movie, before the whole plot moves three years forward, I quite enjoyed. But then it started to become unbelievably predictable, mainly due to the fact that Will Smith is in it and that it simply cannot experiment with the plot a little. Yes, it's not a typical feel-good movie, but still, his character is cliché, and with it the whole story, which is occasionally enticing, but other times it was painful for me, especially from a screenwriting perspective. ()

Kaka 

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English Focus is unpredictable in key twists, so different from most heist films, which often rely on meticulous visuals and period hits, but go forward with a smile and in clearly laid tracks. There is plenty of gloss here too, but you never know what card the main characters will turn over. It's a shame about the ending, which very far from believable. Because as long as stayed within the acceptable, it was a great thing with a contemporary atmosphere and downtempo music that looks and sounds fantastic on the big screen. ()

Pethushka 

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English I put Focus on at a very emotional time in my life, when I was feeling everything much more intensely and perhaps quite uncritically. Anyway, it's a perfectly ordinary movie, of which hundreds have been made in America, but I still have my heart in my eyes and I'll argue that this one is much more powerful and profound. In fact, things spark like thunder between the truly divinely beautiful Margot and Will, and I felt that even Romeo and Juliet's love couldn't match theirs. ()

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