Star Trek Beyond

I'm not setting off into the unknown next time. I have no problem with the characters, the lines are pretty funny too, but the biggest letdown is the action. It lacked any kind of suspense and was quite confusing at times. Only the soundtrack got full stars from me; otherwise this was boring. 2 stars (2016-09-10)

As a space opera, it's more in the department of Mark Stone than "intended" Star Trek (only introductory ten minutes are in line with the latter one), the pace is furious as in the blockbuster movie and it's packed with action, but the action scenes are way too confusing, and so paradoxically the movie works best as a one-liner comedy, which is not taken seriously, not at all. And it helps a lot. (2016-08-16)

I'm THIS close to giving it five stars, because it's not worse than Into Darkness. It has much more routine and confusing action, but at the same time it feels much more relaxed. A simple plot, which in an intimate and humorous introduction refers more to the poetics of the series, a well-used villain that reinforces Kirk's dilemma and the motif of emptiness related to discovering the infinite universe, crunchy dialogues (the most touching parts are during conversations), a solid pace which comes from the screenplay more so than from Lin's directing, which overuses the offset camera and hyper-kinetic shots (in 3D it's really not easy to navigate) a bit much. I was afraid of getting a no brainer, and instead I got vintage Star Trek. I won’t hesitate to sign up for another mission with this crew! (2016-08-08)

Probably the worst episode of the franchise for me. But if every worst episode of a franchise looked like this, I'd go to the movies every day. Unfortunately, the third Star Trek operates with a not very interesting story that doesn't really move the characters anywhere, their relationships don't get much space (although the actors are all pretty well established in their roles), and nothing much actually happens realistically. It's just a story about the Enterprise crew running into a nutcase who wants to destroy everything nice in the universe "again". The middle part, where there's more talking than shooting and fighting, is a bit of a bore, but the beginning and end make up for it easily. We all knew that Justin Lin could do action, but the opening, in which the Enterprise takes a nasty hit, is an incredibly gripping scene that, especially in IMAX, totally stands out. As does the explosive finale, which had me grinning like an idiot as a Beastie Boys fan. Too bad for the slightly off-kilter villain and the aching holes in logic, but it all kind of belongs in a summer blockbuster. So if you want a big, loud, snappy, spectacular and fun movie, the new Star Trek is perfect. (2017-05-15)

For many, the choice of director was a surprise and even a cause for mistrust, but if we leave aside the fans’ rage, it proves to be an absolutely logical step on the part of the producers that can even be seen as an understanding of the essence of the franchise. Whether it was a coincidence or an intentional creative gamble, the truth remains that the Fast & Furious franchise became a team blockbuster under the auspices of Justin Lin. That is what Star Trek is supposed to be at its core, but Abrams tragically failed to understand that aspect in his fanboy blindness and, especially in the second film, he focused only on two characters, while leaving the others to serve only as their seconds. Lin himself is by no means a guarantee of balance; after all, Fast & Furious 6 basically suffered from similar maladies. In the case of the third Star Trek, it is thus appropriate to praise the involvement of Simon Pegg in the screenwriting team, thus ensuring that a representative of one of those overlooked characters could have an interest in the focus falling on Kirk and Spock and, conversely, the other members of the crew coming to the fore. Abrams deserves recognition for setting up a clever reboot of the iconic franchise, but paradoxically, it was only with Lin that the new Star Trek achieved its ideal form as an agile sci-fi team film that brilliantly alternates suspense, action, conversational humor, the attraction of the interaction of contrasting characters and the epic nature of a science-fiction spectacular with trashy entertainment. The final form of the iconic entry in the captain’s log becomes both a confirmation and a promise for the future that the crew of the Enterprise has finally become a well-coordinated team and a self-sufficient entity that has ceased to explore the famous world of fan-focused allusions, but is rather finally heading out in its own direction across uncharted space. (2016-12-16)