The Hunger Games: Mockingjay - Part 2

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USA / Germany, 2015, 137 min

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The Hunger Games: Mockingjay – Part 2 now brings the franchise to its powerful final chapter in which Katniss Everdeen [Jennifer Lawrence] realizes the stakes are no longer just for survival – they are for the future. With the nation of Panem in a full scale war, Katniss confronts President Snow [Donald Sutherland] in the final showdown. Teamed with a group of her closest friends – including Gale [Liam Hemsworth], Finnick [Sam Claflin] and Peeta [Josh Hutcherson] – Katniss goes off on a mission with the unit from District 13 as they risk their lives to liberate the citizens of Panem, and stage an assassination attempt on President Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral choices that await Katniss will challenge her more than any arena she faced in The Hunger Games. (Lionsgate US)

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Stanislaus 

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English The Hunger Games has become another victim of the recently increasingly popular production strategy of splitting the final part into two episodes, hurting the final form of each of the films. Separately, the films look very disjointed, which is understandable. The last part of the book series was definitely not so dense to warrant two full feature films, and this is evident in the too many dead spots and unnecessarily drawn-out scenes (especially at the end). The second part in film form is basically just a murderous walk between the traps in the Capitol and the constant tension between Katniss, Peeta and Gale, but it quickly gets tiresome and by the end it gets quite boring. All in all, a decent and very average farewell to the Hunger Games series, which should have been better ended with one longer film, but what can I say, money talks. ()

kaylin 

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English Even though I left the movie theater disappointed because I still think the film lacked suitable progression and only aimed for effect with some scenes (this was very positively achieved in the underground scene, in its most dramatic part), I do think the socially critical themes are accentuated well here, and it's possible to ponder over the film. In the end, the romance ends a bit foolishly and without the necessary punch, but it's bearable. ()

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gudaulin 

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English The last installment of the series is slightly better than the previous journey into the world of Panem simply because it is less talkative and manages to show action and throw in some attractions in the form of mutant attacks or clever traps for the rebel team throughout its long duration. Unfortunately, it is also the most convincing evidence of how poorly the world is designed and how (un)functional it actually is. Nothing really makes sense in the film. In the third installment, the ruling regime is in control and capable of delivering devastating blows to the rebels, so we quickly reach the "battle for Berlin" phase, the final agony, where regime supporters collapse one after another, without it being clear how this miraculous turnaround happened. Pro-regime forces lose energy and the remaining resources on nonsensically over-engineered traps intended for television cameras at a time when it no longer makes even the slightest sense. With a switched-off brain and a fondness for Jennifer Lawrence, however, Mockingjay can be tolerated. Overall impression: 40%. ()

Necrotongue 

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English The final part of the book trilogy and the film tetralogy wasn’t all that different from the previous installment, so I got a huge dose of grandiose speechifying, and I wasn’t spared the inevitable clichés, melodrama, and the cat of course. What surprised me was the ending, though. I was expecting a postapocalyptic-fairytale finale, but the conclusion to the story was downright biblical. A man and a woman..... A pair of teenagers lie down in bed, tell each other they love each other, and wake up the next day as parents of two children, one of whom is obviously of Chinese descent. Mary with her immaculate conception can't match that. But back to the film. Once again, the filmmakers used tried and tested techniques to create a pompous CGI spectacle and a story whose logic is so flimsy that entire city blocks slip through its cracks. At the same time, they were unable to build up an atmosphere that would have any kind of effect on me, which is why I found the whole thing oddly lifeless to the point of boring. I didn't care what happened to any of the characters, and when some of the characters met their tragic fate, I didn't really feel anything. The film simply felt empty and unimpressive. I was just two hours of nothing. And to think how hard Donald Sutherland was trying... / Lesson learned: Are you fighting for great ideals? Prepare to be disappointed. ()

Filmmaniak 

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English It can be seen that the film was very expensive and narrative-based, the music is dynamically thundering, the actors are trying, the directing is skilled, etc. However, none of this can obscure the fact that from the point of view of the story, there is simply almost nothing interesting going on in the film, whilst what could have been interesting is pointlessly truncated to a minimum. After the previous, worn-out work, I was looking forward to the announced civil war and the grand finale, but I did not get to see anything like that, and instead I was served another load of the same boredom. Most of the film has a rather sluggish pace and suffers from shallow dialogues that more or less repeat the same thing that has been said before. There are only two more decent action scenes in 135 minutes, and we get to see only a short fraction of the most important of them - the attack of the insurgents on the Capitol. ()

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