Trance

Okay, it's true that this movie is very convoluted and that I wanted to see it mainly because Rosario Dawson is in it and she really shows a lot. A gorgeous woman. "Trans" is cluttered and something could be cut out, but the rules are clearly set and the truth can be anywhere. It's up to you whether you accept the message of the film or not. And I accept it, especially when the actors are this great. Danny Boyle is once again very brave. (2013-10-23)

Danny Boyle is a director whose work cannot be overlooked. He handles the craft perfectly, he is creative and playful, and able to surprise us with technical tricks and film effects. Whether he works in any genre, he can create an impressive spectacle and his directing skills often overshadow weak screenplay foundations and outweigh banal subject matter. Trance is, at first glance, a crime film about a heist that, after the initial success, gets stuck and turns into a nightmare for its participants. The heist was successful, but the question remained: where is the loot, who is trying to blind everyone, who is being manipulated by whom, and who is pulling the strings? Although I understood that Boyle was primarily playing with me as a viewer, I easily engaged in the game and I can say for myself that I enjoyed it probably more than all three of Danny's previous films combined. For the average summer movie theatergoer, Boyle's thriller is probably too complicated, resembling a complex strategic board game where most players expect a lively party game without excessive mental strain. However, I very much enjoyed all the twists where the view of the earlier plot and its actors fundamentally changed, and I don't mind that in reality, hypnosis wouldn't work like this. In my opinion, Trance is one of the few films that can be enjoyed repeatedly and even appreciated more during subsequent screenings. Overall impression: 95%. (2013-07-08)

“What we are is the sum of everything we've ever said, done and felt all wrapped up in one unique thread, which is constantly being revised and remembered. To be yourself, you have to constantly remember yourself.” Trance is a sophisticated game with the audience that doesn’t make much sense (it has put too much on its shoulders), but is unpredictable from start to finish and damn entertaining, mysterious and sexy. Danny Boyle is having fun here with a kaleidoscopically varied perception of events and confused character motivations, and reveals his weakness for Brian De Palma’s fast-paced thrillers. (2014-10-28)

Danny Boyle is simply awesome. Trance is not his best movie, but it doesn’t change the fact that he is able to film literally anything. He had fun with the camera in a drug lair, in an Indian slum, near the Sun, with millions in his suitcase or he sweated for 127 hours in the mountains and this time for a change hypnosis plays a major role, and we see an entanglement of the whole story with the aim of preparing a shocking finale. And he succeeded. The movie may be a little too dynamic and a bit complicated, but that’s simply Boyle and that’s why I like him so much. The whole movie really has guts and every five minutes there is something happening that turns the story upside down. If you can accept that, you will be satisfied. (2013-10-16)

Danny Boyle scores points with his truly unmistakable style even in the field of a hard-to-classify psychological heist thriller, which is wonderfully subtle and actually quite unpredictable. An exemplary symbiosis of sound and image (one of the best "hypnotic" soundtracks used in the film), novel creative techniques (even a simple slap can be filmed and presented in an evocative and original way), and one of the top performances by Rosario Dawson, who must have been cast in this role by some casting genius. I like Boyle much better in this slightly unconventional and understated position (I’m looking at you, Oscar-winning Slumdog Millionaire), as these types of more modest and intimate works give him much more scope to use his undeniable talent and original techniques. (2019-02-10)