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Sylvester Stallone gives a powerful performances in this "lean and mean" (The Hollywood Reporter) white-knuckle thrill-ride. When the partner of aging New Orleans hit man Jimmy Bonomo (Stallone) is murdered, Bonomo vows to take down those responsible. He teams up with a young D.C. cop (Sung Kang), and the unlikely partners are drawn into a tense, dangerous cat-and-mouse game with a ruthless "businessman" (Adewale Akinnuoye-Agbaje). (official distributor synopsis)

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Reviews (8)

Kaka 

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English A proper homage to the 1980s. From the music, through the editing, the sounds of blows, the voice-overs, the script. Walter Hill put it together well, the film works. It doesn't want to say too much, nor does it have much to say. It's about having fun, nostalgically reminiscing, and moving on. Stallone is in fantastic form even at his age, the action is tough, without slow motion, plenty of blood, exactly as it should be. Jason Momoa is a phenomenal opponent. It was solid entertainment, without further ambitions. ()

Necrotongue 

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English Some senior citizens choose to spend their twilight years in cottages, fishing, or freestyle fighting in Wallmart. Grandpa Sly, on the other hand, approaching 70, remembered the good old 80s, and it didn’t turn out bad at all. I'm not sure if ‘Aquaman’ was a good choice of the main villain. Jimmy Bonomo often looked a little sad next to him, but oh well. It was packed with action, one-liners, Sarah Shahi looked great, and, most importantly, I had fun. ()

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J*A*S*M 

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English I feel some satisfaction that this one flopped in American cinemas. This type of 80s action movies is dead and should remain dead, no resurrection! One every year or two, like The Expendables or something straight to video, I can take, but this becoming a trend for bigger productions…. thanks God, no. ()

D.Moore 

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English There’s really no great miracle here, and if it weren't for Stallone in the lead role, my rating would be even one star less. The script has nothing in it with which to surprise, except perhaps for the way it resembles the scripts that have been used by Seagal, Lundgren and others in recent years. The direction is nothing miraculous, the action scenes lack tension, and the only thing worthwhile was the final battle with axes, but which ended rather stupidly. What I really liked was Mazzar's music, which I've been listening to for a few weeks now. If I have to compare, Arnold's more imaginative and less serious/ridiculous The Last Stand is clearly better. ()

kaylin 

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English I simply like Stallone, so I tolerate it when he appears in something that is story-wise extremely boring. This is exactly the case. I am really curious whether the comic book source material is equally boring, but I would be quite surprised. However, Americans just remade it their own way and it turned out to be a rather ordinary action cliché. ()

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