We Bought a Zoo

Yeah, why not? Why not, for once in your short life, take your own path full of bumps, where even your loved ones will lose their sense of security? Why not believe in something that others would never hope for? Why not throw away past traumas and start again? We Bought a Zoo has an unoriginal story that as a whole ends in the most unexpected way, but I absorbed the varied and beautiful flavours and feelings contained in the individual scenes, the sweetly humorous dialogue, and the overall mood and motivational atmosphere of the film with as much joy as a kiss emoji from my crush (yeah, I wish she would actually think of me at least once a month). A small film, but with a big heart and a haunting last line that almost brought tears to my eyes. 75% (2015-11-22)

A a barrage of positivity that relies on the typical trademarks that Cameron Crowe sprinkles into each of his films: strong characters that you can't help but sympathize with, some sparkle between main characters, a common goal to work towards, a dash of emotions and personal attitudes that need to be changed, all adding to one of the film of the year. Crowe hasn't overstretched himself this time around, and made a modest, intimate film that is emotionally transparent and relatable, even though it's actually woefully unoriginal and ordinary. But even fleshing out the characters and dialogue and adding a catchy soundtrack is quite a feat in a production like this. The last scene is awesome. (2016-04-20)

A completely professionally made film (perfect editing, amazing cinematography, breathtaking sets...), which thanks to its "soft drink" script manages to attack the viewer's emotions quite indiscriminately at some moments. Fortunately, the whole thing actually feels on the whole quite natural and civil (mainly thanks to the excellent cast), and therefore there is no need to wonder if Cameron Crowe is just forcing your emotions or if the characters are so wonderfully written and acted that you just believe them all. What’s more, the story itself is so beautifully human that perhaps it must ultimately soften even otherwise purely cynical hearts. The ending is so very moving it's almost unwelcome :))) (2013-10-28)

A film that's not afraid to deliberately move you, yet is perfectly optimistic and intentionally smiling with every thought and plot point. The whole group of teenagers, children, dedicated caretakers, and gazing animals could easily crumble into a meaningless family mess. But Cameron Crowe proves that he still has a firm hand in calming down turbulent emotions. A film for everyone. Literally. (2012-04-04)

Like Benjamin Mee, I don't know how to approach this now. So, I’ll take it one step at a time. The premise was okay, and I didn't have the slightest problem with it. Compassion and love for animals (as long as it remains purely platonic) are definitely a good thing. On the other hand, I have a problem with the way these values were presented. It was a family film, so I knew there were going to be moral lessons. They didn’t even feel out of place. It could have been a decent film if it hadn’t been turned into a huge nostalgic emotional wringer and sacrificed everything else to that end. I’ve been a fan of Scarlett Johansson ever since The Horse Whisperer (1998) and Ghost World (2001). I was all the more annoyed by the character she portrayed here. I’m sure there are people who will share all their problems, issues, and failures with you five minutes after you meet them. I just don't want to meet them. It was all so uncomfortable to watch; the constant reminiscing about the wife, the dying tiger, the troubled teenager. It was just cheap, and it must have been obvious to everyone what ending the film was heading towards. No, the film wasn’t enjoyable and I’m glad it's over. / Lesson learned: Teaching a beast to give a paw might not be a good idea. (2022-09-14)