Camp Armadillo

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Denmark / Sweden, 2010, 100 min

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In February 2009 a group of Danish soldiers accompanied by documentary filmmaker Janus Metz arrived at Armadillo, an army base in the southern Afghan province of Helmand. Metz and cameraman Lars Skree spent six months following the lives of young soldiers situated less than a kilometer away from Taliban positions. The outcome of their work is a gripping and highly authentic war drama that was justly awarded the Grand Prix de la Semaine de la Critique at this year's Cannes film festival. But it also provoked furious debate in Denmark concerning the controversial behavior of certain Danish soldiers during a shootout with Taliban fighters. The filmmakers repeatedly risked their lives shooting this tense, brilliantly edited, and visually sophisticated probe into the psychology of young men in the midst of a senseless war whose victims are primarily local villagers. Yet more disturbing than... (KinoSmith)

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gudaulin 

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English This is how I imagine a documentary that goes to the core and can convey the reality of war in a distant country to its viewers without any manipulative practices, in a way that even a person without deeper knowledge of the context and history of the Afghan conflict can still navigate themselves well in the position of a European soldier who is meant to correct the mistakes of two superpowers over the past 20 years. It is only here that one realizes how absurd the idea of resolving such a conflict by force is. It is a clash of two completely different civilizations and a conflict that has no end. In suppressing guerrilla warfare, heavy weapons and state-of-the-art equipment often prove to be useless. Tanks and cars destroy the fields of farmers whose interests the soldiers are supposed to defend. Similarly, any military actions have consequences for the civilian population, who usually prefer local fighters, whom they understand in terms of language and culture, over foreign invaders. The documentary portrays Danish soldiers as normal men with thinking that corresponds to their age and life experience. They want to experience some adventure, crave action, have normal human fears, and exhibit ordinary emotions. Armadillo is valuable precisely because it does not pretend to be anything it is not, and if anything is shocking, it is rather the hysterical reaction of the media and the public to the soldiers' behavior in the documentary. To me, the behavior of the soldiers in those situations seems absolutely logical, and it is rather sound judgment that is lacking on the opposite side. Overall impression: 95%. ()

Marigold 

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English An attentive probe into the routine of a Danish crew in Afghanistan. Director Janus Metz uses a modern form, looks into the intimacy of his protagonists, listens to their dialogues, reconstructs motivations and adds superbly edited footage of combat deployment as the icing on the cake. Metz is not looking for context, but rather ordinariness, war through the eyes of an individual (this is similar to Maoz's film). Thanks to its excellent technical design, Armadillo is a modern and uncompromising documentary. ()

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