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From Jason Reitman comes the timely odyssey of Ryan Bingham (GEORGE CLOONEY), a corporate downsizer and consummate modern business traveler who, after years of staying happily airborne, suddenly finds himself ready to make a real connection. Ryan has long been contented with his unencumbered lifestyle lived out across America in airports, hotels and rental cars. He can carry all he needs in one wheel-away case; he’s a pampered, elite member of every travel loyalty program in existence; and he’s close to attaining his lifetime goal of 10 million frequent flier miles – and yet... Ryan has nothing real to hold onto. When he falls for a simpatico fellow traveler (VERA FARMIGA), Ryan’s boss (JASON BATEMAN), inspired by a young, upstart efficiency expert (ANNA KENDRICK), threatens to permanently call him in from the road. Faced with the prospect, at once terrifying and exhilarating, of being grounded, Ryan begins to contemplate what it might actually mean to have a home. (official distributor synopsis)

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kaylin 

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English Jason Reitman has shown that it is possible to make a romance film that doesn't necessarily have the ending you expect, and it can even be set in the environment of airports. A person who spends most of their life in an airplane, airport terminals, and various hotel rooms. And yet they are happy because they have a job (firing others) and maybe even love (although they see it very rarely). Or maybe everything is just a little different. Beautiful, even though people are ugly. ()

Marigold 

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English It flies by like an airplane, leaving behind a condensing steam of nice phrases, textbook truths, and encouraging statements. All we need is for Clooney to raise his eyebrows and the world seems to be a kind place where even the biggest loss has its positive aspects. However, like the hero Ryan, above all Reitman's film gives the viewer a treated motivational pat – I was not offended in any way, but truth be told, I also checked out. ()

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3DD!3 

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English I’d like to fly one day. These days it sounds almost ridiculous, but I’ve never ever flown anywhere. But that feeling of abandonment and freedom that flying represents is so tempting for me... and Ryan Bingham lives in the clouds. It’s hard not to envy him. He has a super job that he enjoys (I liked that too) and it allows him to fly here, there and everywhere. But the day came when he couldn’t and his life begins to change. I’ve seen thousands of sentimental movies about life, but why is Up In The Air so much better? Is it the dry lines, the pleasant actors or the atmosphere? Maybe all of that and maybe it’s because each one of us can find a part of themselves in this story. Credit carders, glues or diligent workers. Luckily, Jason Reitman doesn’t stay at everything being cool and fine, but he shows the other side of the coin too. People losing their jobs. That’s what it’s all about. You have to be able to balance everything and Reitman did a perfect job of it. Imagine for a second that you're carrying a backpack... ()

Necrotongue 

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English True, there were moments that seemed a bit forced, but overall, I found this movie quite enjoyable. It made me ponder a bit, yet at the same time, it's not a requirement as you can also just switch off your mind and relax. However, this film is far from mindless; if you pay attention, it has something to say. It avoids being cheaply pathetic, though there are moments that may lean in that direction, and it doesn't try to deceive the viewer with a contrived happy ending. Today, I genuinely enjoyed it, and the chemistry between George Clooney and Vera Farmiga significantly contributed to that. / Lesson learned: Sometimes it's genuinely challenging to keep both feet on the ground and not have your head in the clouds. ()

lamps 

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English I like Clooney, I like the psychological Reitman, I like Vera Farmiga in any position, and yes, I even like the quirky Anna Kendrick, so I couldn't really dislike Up in the Air. A romantic delicacy seasoned with great actors, between whom there is amazing chemistry, an interesting plot and, above all, an unobtrusive, but at the same time completely natural and purposeful humour, the kind the Americans pleasantly surprise me with from time to time. I also appreciate the lack of an annoying happy ending (i.e. a passionate kiss in the rain and other forms of cinematic romance), which was instead handled like the rest of the film – casually, humanly, and originally. Damn, I love this movie..:) 80% ()

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