Plots(1)
Manoel de Oliveira's feature debut is an apposite illustration of the documentary tendencies in the director's early productions. His native town of Porto plays a key role in this story of the torments of childhood love, strongly engaging even for adult audiences. The shooting in exteriors using natural light and casting child non-actors is what de Oliveira has in common with the films by Vittorio De Sica and other Italian neorealist directors. (Summer Film School)
(more)Cast
Horácio Silva
Best movies:
Aniki-Bóbó (1942)
Américo Botelho
Best movies:
Aniki-Bóbó (1942)
Feliciano David
Best movies:
Aniki-Bóbó (1942)
Fernanda Matos
Best movies:
Aniki-Bóbó (1942)
Rafael Mota
Best movies:
Aniki-Bóbó (1942)