Kill Bill: Vol. 2

While the first movie was just a showcase of Tarantino the director, this time the story gets a word in. Uma no longer has to strut her kung fu stuff, so she no longer looks like a paddle come to life and, most importantly, Quentin has moved closer to Sergio Leone. Which greatly benefits the movie (and Tarantino). A massive benefit! ♫ OST score: 4/5 (2022-04-21)

The second part of the story was built up in a different way than the first one. To be honest, I liked the original style a little better. The second film was full of lengthy dialogue the absence of which surprised me last time. I was disappointed because it did not reach Tarantino’s standard quality. In fact, I couldn’t help feeling that Quentin Tarantino gave the first film his all, and the second one fell short of my expectations. I’m not saying it was bad, it just didn't reach the level of its predecessor. Again, I managed to see past some gaping logic holes, I even liked how they were used to create black humor. What disappointed me was the little girl. I'm not a big fan of kids, but I've seen a few in my lifetime, and I think that even if they know you from photos and stories, they probably won't run up to you full of excitement the first time they see you. P.S.: I’m giving the film four stars because of Samuel L. Jackson's role of a lifetime. / Lesson learned: If you want to get rid of someone, bury them alive as a vampire. 4*- (2022-09-19)

The same as the first part: there is no less nonsense, there’s less action and more dialogue - classic Tarantino. I could have been enchanted at the time, but Kill Bill now is simply past its zenith. In short, a film that has nothing to get excited about. (2022-03-29)

Quentin Tarantino is very original and his directing is apparent every single second, whether it's the craftsmanship (black and white passages, animated parts, etc.) or the content. More than bloody killings, he focuses on what makes a film a film (dialogues, characters, etc.) and he does it well. Uma Thurman is excellent, David Carradine is a superb villain, and it's all very stylish. (2004-05-03)

Although both parts are like day and night in terms of how different they are in their expression, Kill Bill is still a unique and cohesive film work that functions in every aspect. Combining neowestern with samurai swords is such an eccentric idea that it could only result in a disaster or an unforgettable experience. It is to Quentin Tarantino's credit that he accomplished the latter, and his creation matures at an unexpectedly fast pace. (2006-08-15)