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In the year 2029, the ruling super-computer, Skynet, sends an indestructible cyborg (Arnold Schwarzenegger) back in time to 1984 to kill Sarah Connor (Linda Hamilton) before she can fulfill her destiny and save mankind. (official distributor synopsis)

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novoten 

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English Suffocating and adrenaline-fueled sci-fi that time's tooth can't seem to gnaw away. Arnold probably will never inspire as much respect and fear again. Moreover, without this series, temporal paradoxes and the entire science fiction genre would be completely different today. Ideas like the one about a robot that has to change the past in order to alter the future occasionally come up, but fitting them into the right screenplay is already a form of cinematic art. ()

Malarkey 

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English The beginnings of all the action weekend evenings on television in my childhood and one of the first films with Arnold Schwarzenegger I’ve ever seen. I remember being quite afraid of him. That’s why I prefer the second part. Nevertheless, the first instalment has a firm place in my heart as well. Just so you know, so you don’t think I am some action flick hater :). ()

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Necrotongue 

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English One of the films that had a powerful influence on me growing up. Like many others, I saw it on a VHS copy of a copy of a copy, and I instantly loved it. So much so that I still enjoy watching it today. True, the effects correspond to the time it was made. Even though they are of a high standard, the scene in which Arnie takes out his eye is just not as impressive today because of the obviously rubber face. I don't mean the film is bad, on the contrary, I think it’s definitely one of the best sci-fi thrillers ever made. Arnie was born to play T-800 (minimum acting and maximum thick German accent) and it was thanks to him that I sided with the dark side of the force for the first time. ()

lamps 

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English More than a legend. With Terminator, Cameron opened his iconic window of visual treats, which he has been successfully expanding and even improving ever since. The amazing storyline, set to the rhythm of depressingly pulsating music and properly lethal action scenes, doesn't give any room at all for all the general shortcomings such as verbosity or monotony, instead presenting a pure exhibition of zany effects, cool catchphrases and fun car chases that never ceases to entertain and at the same time doesn't allow us not to take it seriously. Arnold is iconic, Michael Biehn is likeable, and Cameron is a film terminator himself.... It's a pity that Lance Henriksen was underused, but the director paid him back in Aliens. 95% ()

Kaka 

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English One of those films that even after 20 years has not lost any of its impact and can easily captivate today's audience. James Cameron is shown here for the first time as a meticulous visionary with an incredible amount of creativity and a range of ideas. What underlines everything is that he himself came up with the story and was the main creator of the excellent screenplay. Casting Arnold Schwarzenegger was truly a risky bet, but time has shown it to be brilliant; his wooden acting was exactly what was needed. The action is great and the clearing of the police station is still a breathtaking experience. The gloominess and depression present at every step, whether due to the dark story or the suggestive dark backgrounds of L.A., give this immensely impactful and gritty film the right edge. One of the milestones of sci-fi. ()

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