You Only Live Twice

Here we go. Not even the Japanese could keep their women safe from this extremely invasive British agent and so it’s not rare in Japan to come across citizens speaking Japanese with a strong Scottish accent. The leap into the realm of sci-fi is more than obvious, and despite the plot being far-fetched beyond belief, the film does have a certain charm. (2016-08-03)

After the massive success of the underwater Thunderball, Bond finally went to the stars, both literally and figuratively. Bond dads Saltzman and Brocolli have changed almost the entire creative team for the fifth 007 film – Lewis Gilbert took over the director's role, Freddie Young, winner of two Oscars (for Lawrence of Arabia and Doctor Zhivago) stood behind the camera, and instead of mostly "Western" locations, the story takes place all over the Far East... The result is a thoroughbred gem, which I devoured with bated breath when I was a little boy, drifting away with a great imagination of the script and an excellent visual conception. Simply the essential spectator mana of all Bond films, which managed to condense here into a magical "super spy" atmosphere. And the magic still works years later. Mentioning Connery's virtuosity is pointless, but I want to remind of how self-parody tendencies begin to creep into it, which Roger Moore then broke apart. The action scenes are excellent, and especially the helicopter chase, tinted with the notorious Bond theme, electrifies me to this day. It is a pity that the editing sometimes slips into excessive monotony (it is especially evident in the car chases), which slows the film down. Lewis Gilbert isn't as good a stylist as Hamilton or Young, but he has a knack for crowd scenes – and the one in the crater is really worth it, and he calmly trumps a similar scene from his later Bond film The Spy Who Loved Me. The only issue is the fact that after filming the fifth Bond film, Connery disappeared from the series and only returned after four years and one Bond film with George Lazenby... But then it just wasn't the same. The golden age of Connery films ends with this masterpiece. (2004-11-25)

What definitely needs to be appreciated are the scenes in space, which definitely do not look bad. On the other hand, Bond is moving into a completely different genre and one has more of a feeling that it was not an artistic intention, but purely commercial, to keep people entertained. "Thunderball" was already a bit of the same. The beginning can really excite you because Bond dies here, but then you find out why he lives twice. Then you just wait to finally see Blofeld's face. Donald Pleasence was a great choice. However, Bond as a Japanese is a bit too much. (2014-03-03)

Too many technical gimmicks and various improvements at the expense of plot density and genuine entertainment. The action in Japan may have benefited Bond, it truly feels fresh and unconventional, but they are trying something technically that doesn't work too well. The mass scenes, the megalomaniacal action with rockets, among others, it all feels cluttered and, with a distance of years, even laughable, and no matter what, Bond should have a timeless impact. Not just as a persona, but also in terms of themes and visual aesthetics. That is not the case here, not even by accident. (2013-12-30)

007__#5__The attractive setting of exotic Japan and a beautiful central musical motif (“borrowed" by Robbie Williams in his successful hit “Millennium”), but the action sequences have already been somewhat dented by the ravages of time. Incorporating the element of ninjas that was so fashionable at the time (training in the Ninja Academy) doesn't really fit, especially since they don't show anything of their fighting skills in the decisive battle (just pew-pew from firearms). The main villain, the No.1 man of the Spectre organisation played by Donald Pleasence, who only appears in the last twenty minutes, is more of a caricature, and during the exaggerated final shootout with the storming of the command bridge, which seems to have fallen out of Bond's The Spy Who Loved Me, I realised how often James Bond films resemble each other. (2005-10-01)