From Russia with Love

The most genuine spy film of all the Bond films. Connery's Bond met his match in Robert Shaw. SPECTRE and the Soviet Union got a proper hammering, without unnecessary frantic action scenes. It definitely belongs to the best of this genre. (2016-08-03)

More money, more steel. After the grand success of Dr. No, the budget for the next installment was doubled, and thus could have been spent on helicopters, speed boats, multifunctional briefcases, and penicillin injections for James Bond, who this time left-handedly fucks not only his young paramours, but also a Russian agent and two rambunctious gypsies, all of which occurs with a casual flair that the makers of Fast Money could only dream of. Two-thirds of the way through, Agent 007's second adventure manages to keep you constantly on tenterhooks with its unpredictable script and a sense of omnipresent eyes and ears, thanks largely to a clever and down-to-earth screenplay that, despite the extensive exposition, doesn't drag its feet into overblown ambitions of world domination, but instead narrows its premises the more the film progresses. Except, of course, for the final helicopter and boat shenanigans, which were an afterthought to give the film an action-packed climax. Unfortunately, they also make the whole impression of the finale feel fragmented in both pace and mood, and the whole film comes out from under the Bridge of Sighs somewhat empty. The best part is once again a mentally underdeveloped Bond girl who trades a prestigious job as a spy for the chance to be the next trophy of a dude who grabs girls by the arm as a matter of course. (2019-06-16)

If I have to pick one of Connery's best Bond films, then it's From Russia with Love. It’s the most interesting film in terms of plot and it doesn’t have a lot of action, but when it does, it's worth it. Be it the legendary (and rightly praised) train compartment fight, the helicopter chase or the gypsy camp ambush. One hundred percent honest work every time. As far as the plot goes, there is no shortage of interesting twists and turns, but the most fun of all is watching Bond and Romanov's evolving relationship. Add to that, of course, John Barry, Young's meticulous direction, which suits this slower but ever more suspenseful film more than anything else, Blofeld and the witch of all witches... You simply cannot be dissatisfied with it. (2010-05-23)

A deviant contribution to the British film crown jewels, but one that brings a heap of contradictions. For some, this is the very signature of Bond, one they would like to see more often, and I acknowledge that the tough battle with the cold spy adversary is among the best that the sixties adventures could offer. However, watching it with the removal of six decades is sometimes painful because a disastrous first half precedes a thrilling second half. In the first half, empty dialogue is carried out, episodic scenes are chained together, and opponents of 007's sexist face have a field day. The highly positioned female antagonist is portrayed as an ugly box, and as a reward for saving the group, the main hero is reluctantly offered two women from the local community. And there are lots of other things that are too much a product of their time, causing my smile to twist into a cringe unnecessarily often. Sean Connery himself, of course, plays it with a charm all his own, but this time it almost wasn't enough. (2022-01-07)

007__#2__One of the best Bond films. It has an interesting compact plot by Bond standards, cool villains (the girl with the bayonet in her shoe is great, Martin Shaw as a straightforward killer), and the few action scenes are pretty good and brisk (well shot train fight). A big improvement compared to Dr. No. (2005-10-02)