D.Moore

Compared to the previous film, this one seemed somehow emptier and at the same time unnecessarily complicated with various subplots, but despite the multiple Pixar rip-offs, it was still beautiful with many disarming moments.

Basically the same fantasy average that wants to be above average, just like last time. Even having Emily Blunt, Jessica Chastain and Charlize Theron in one film does not mean that it will be a good film. Not that I was offended by The Huntsman, but somehow I was still waiting for something really big to happen... And then came the end of the story. I was really pleased with the way in which the filmmakers (did not) bring the character of Snow White to the film, because this confirmed that Jára Cimrman and his Hamlet without Hamlet was once again ahead of its time.

A laid-back film that almost manages to walk the line between parody and serious satire aimed at the sports business. It succeeds mainly thanks to Melissa Rauch, who is simply excellent as a spoiled ex-gymnast.

A beautiful post-apocalyptic fairy tale. It does not deny the author of the original with elaborate characters, because that is exactly what Jeff Lemire focuses on, and he rewards the viewer with each episode with another piece of the "what, why, who and how" puzzle. Unexpected things often happen, often exciting and especially in the final parts also genuinely touching and one hundred percent impressive. I hope, I hope, I hope that Sweet Tooth gets the second season. And that a book will be published in the Czech Republic soon.

A slasher in the classic style, that quotes (above all) Scream and similar films in a big way, does it in a beautiful coat and at the same time with exaggeration and surprisingly (for me), brutally... It is also fun, thanks to the actors and their great characters, who behave as logically as the genre allows. There is something missing from it to achieve perfection, which we will probably see next time or later, but I am still very satisfied.

Despite Ron Perlman's hairstyle and Paul W.S. Anderson's reputation, it’s not bad! I believed in Milla Jovovich more than when she is among zombies, the action scenes were great, I have nothing to complain about in terms of the special effects, and I was pleasantly surprised by the number of monsters. The biggest weakness of the film, however, is that it was obviously created mainly so that another part could be made, because a lot of things would remain unresolved, and although I enjoyed the desert-like, literally horrible stay, in the end I just had to ask: What was it all for? I wouldn't think I'd write this after a Resident Evil mess, but this time I will - I'd quite like Anderson to make a sequel.

But... ummm... Why not. It's soulless, but it's fun, although more than Vin Diesel and his family (put aside five crowns every time that word comes up and you have enough for a movie ticket) benefits from Dwayne Johnson and Jason Statham (I understand why they earned their own film), from Charlize Theron, and especially from the sympathetically excessive action, in which cars behave like wild animals and you wait for them to turn into Transformers, and when a submarine joins the final chase, it's actually not inappropriate at all.

The story may be a bit of a cliché, but the two great actresses and a director with a flair for such beautiful melancholy made it an enjoyable experience. The fact that the whole thing is supposedly pulled out of thin air will of course bother some people, but it can be ignored quite easily.

I think I've seen the first two movies, but I'm still not sure, and most importantly, it doesn't matter. I learned from Bill & Ted Face the Music that the most important stuff "happened before" anyway, and in the finale, what remained secret from me and what was created for the knowledgeable audience was probably as important as the time paradoxes. Actually, not at all. Childish goofy fun, that's what's going on here, and from start to finish I had the impression that the actors - from Keanu Reeves and Alex Winter to Samara Weaving and Brigette Lundy-Paine in the roles of their daughters - had at least the same amount of fun on set.

Like Liam Neeson in 2008, another great actor has become an absolutely believable action hero, and someone that we did not expect it from. And Nobody benefits from how great an actor Bob Odenkirk is, just like from the action scenes directed by Ilya Naishuller. We are interested in Hutch's gradually uncovered past, we are interested in how much his loved ones actually know about him, and at the same time we are having fun with scenes such as the huge brawl in the bus, which reminds us that even such heroes get hit. Along with all this we get humor to lighten it up at the right moments, a great song soundtrack, Christopher Lloyd... Although, unlike John Wick, I don't want a sequel all that much, Nobody is still a great film.