Marketa Lazarova

  • Czechoslovakia Marketa Lazarová
Trailer
Poetic / Drama / Historical
Czechoslovakia, 1967, 165 min (Alternative: 159 min)

Plots(1)

Young Eugene from the provinces travels to Prague in order to seek a better life and acquire recognition and fame. Initially he earns a living as a road sweeper; he writes rudimentary poetry and occasionally manages to get himself invited to drunken parties thrown by the Prague boho set. At one such gathering he gets an offer to write engagé pop lyrics expressing loyalty to the governing regime. Gradually the naive yet honourable country dweller becomes a cynical man of means, surrounded by beautiful women. While no-one likes him, everyone’s afraid of him, so he commands respect. The graduation film by Petr Nýdrle was made at Prague’s FAMU, thus outside the realms of official programming. After the success of a private screening held in 1980, the film never made it into distribution (although it was never officially banned), and audiences were only able to see it after November 1989. Thirty years have passed since the filming of this satire criticising the flexible morals of normalisation Czechoslovakia. To this day the black-and-white film appeals for its combination of raw shots and stylised acting performances. (Karlovy Vary International Film Festival)

(more)

Videos (3)

Trailer

Reviews (11)

Marigold 

all reviews of this user

English How is Markéta Lazarová one of the best conversions of a literary work? In that it is not just a conversion, but a complete rebirth. Out of kindness for Vančura's book, only the narrator and the character of a wandering monk remained; otherwise Vláčil's opus becomes a rough medieval fresco, replacing the perfection of Vančura's language with no less perfect language of paintings and symbols. The bleak musical accompaniment completes the director's efforts to evoke the medieval atmosphere by all means. Markéta Lazarová is not only strong with her story of love born of humiliation (she stands out much more in Vančura's book), but precisely because of her cinematic craftsmanship qualities. It is rather more of a great film essay – robust, with an unmistakable aesthetic and, in my opinion, absolutely brilliant, though not easily digestible. ()

novoten 

all reviews of this user

English Impressive images, thoroughly dramatic actors, and - none of it. When the story can be summarized in two sentences, the long shots are on the absolute verge of tolerance, and only the impressive musical background saves what can be saved, I realize that I am incapable of approaching the poetics of this type. ()

Ads

gudaulin 

all reviews of this user

English Some movies can be enjoyed like a hamburger, and some are enjoyed only by experienced gourmets. Marketa Lazarová is not a sandwich in a bun that can be chewed between writing text messages and gaming on the computer. It is a long film, but completely different from the long films from Jackson's Lord of the Rings trilogy. To enjoy Marketa Lazarová means to be relaxed, receptive, and appropriately tuned in. It is truly a demanding film that requires concentration because it has minimal dialogue and speaks through visuals and music. The film will likely be appreciated by those who do not hesitate to spend time visiting galleries or reading poetry collections. Such individuals will embrace František Vláčil's symbolism and poetic scenes, the play of light and shadows, or the panoramic long shots of the foggy marshy landscape, where the putrid smell can literally be felt from the image...The actors are good, but Marketa Lazarová is a film that is watched for its direction, camera work, and music. At the same time, it is a film that benefits from a big movie theater screen. Overall impression: 100%. ()

Stanislaus 

all reviews of this user

English Markéta Lazarová is certainly rightly referred to as the best film of Czech cinema, and even though I think better films have been made here, I still have to acknowledge its unmissable qualities. I definitely have to praise the craftsmanship, which is of a high standard for its time: from the amazing raw images of the Middle Ages, to Zdeněk Liška's unmistakable music, to the incredibly authentic production design. The story is very well constructed by being divided into two parts and interspersed with a plethora of allegories and symbols, but its biggest weakness for me was its excessive scope, which toyed with my perception as a viewer. In short, one of the gems of filmmaking created during the golden era of Czech cinema, shot in such a way that it has been able to stand the test of time. ()

Zíza 

all reviews of this user

English 3/4 of the movie is boring. And then... suddenly it's interesting, the moving pictures come to life and you think, great, finally something's happening, only then it slides back into boredom and you have 123 minutes to be bored or think about bug immortality. Really a shame about Markéta Lazarová, I was expecting more, but whatever. Seen as it was meant to be seen, I can't complain... ()

Gallery (18)