A Time to Kill

Average, average, and more average. On the one hand, the great Samuel L. Jackson, the admirable "shark" Kevin Spacey, excellent (all of them) chilling scenes with the Ku Klux Klan and Goldenthal's chilling music along with them, but on the other hand we get Matthew McConaughey, who is not very believable, the completely unnecessary Sandra Bullock character (even more unnecessary than in the book), several downright ridiculous moments (the bomb, the shooting of the soldier...) and that sickeningly saccharine ending... Two and a half stars. (2011-12-18)

It's a good movie with a strong case and great acting performances, although I still don't understand how it's possible to kill two people and walk out of the courtroom as innocent, or rather without punishment. It rather made me reflect on the concept of justice, at least in the American system, where it's not about justice per se, but simply about the case, about popularity, about reputation... I don't know... just anything but justice. How are we supposed to understand it? (2016-06-09)

Undoubtedly one of Joel Schumacher's best films, although it's fair to say that with John Grisham source material and a very good script by Akiva Goldsman, it couldn't have turned out any other way. A Time to Kill is a brilliant courtroom drama that manages to remarkably link the most serious individual crimes with the toxic and unrelenting interracial hatred in Mississippi and moreover put everything into the proper context. The sumptuous cast, ranging from the passionate (which is slightly unfair in the context of the plot, but I didn't mean it that way at first) idealist Matthew McConaughey to the endearingly proper Sandra Bullock to the slimy and implacable Kevin Spacey, is simply divine. They're all divine here though, including Samuel L. Jackson and Donald Sutherland. One of the top courtroom movies with an extremely evocative closing speech by a then twenty-seven year old Matthew McConaughey, for whom this was actually the first really major and character role in the true sense of the word. (2020-08-17)

That's the beauty of those 90s movies, you get to watch a scene where a lawyer played by Kevin Spacey sinks a witness based on his 30-year-old rape accusation that took place on 9/11. At least there's some joy in this overwrought mess according to hypocrite-in-chief John Grisham. We can only envy the man's ability to calmly fight the death penalty furiously with his left hand and peck out a novel that defends it through enormous hyperbole, sadistic descriptions of crime, and appeals to the racial frictions of the American South with his right. The film treatment then doesn't problematize the novel at all, and on the contrary is almost completely faithful to it, with occasional bursts of Goldsman’s screenwriting flubs (the lawyer protagonist and his righteous fisticuffs, disastrous characterization scenes). McConaughey trying to play himself to death here at least recalls a time when he was a truly insufferable piece of slime. (2020-01-13)

McConaughey was a good actor even when he was young, but he just didn’t want to. Schumacher in good form, a myriad of stars (Jack Bauer as the head of the local branch of the Ku Klux Klan!), who maintain the tension inside the viewer for two and a half hours until the unexpectedly classic end. Grisham came up with a great idea revolving around racial hatred, Goldsman interpreted it wonderfully for the silver screen. A classic about a lawyer that matures with age. (2014-12-24)