Persona

  • Sweden Persona
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Actress Elisabet Vogler (Liv Ullmann) has stopped speaking and withdrawn completely. Under doctor's orders, she's taken to a remote seaside cottage by a nurse, Alma (Bibi Andersson). Alma chats to fill the silence and gradually begins to lay bare her entire identity until she discovers it is being coolly sucked away from her. As the women battle for control and sanity, the question becomes not which of them is patient and which is caregiver, but are they two separate women at all? (official distributor synopsis)

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Reviews (5)

kaylin 

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English Even if you don't like this film, you simply understand that this is something created by a person who was an incredibly talented filmmaker and who knew how to fully utilize the medium and penetrate it in unique ways. The interweaving of images/faces is incredibly brilliant, which by the way also demonstrates the director's casting abilities. ()

lamps 

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English One of those films that make it worthwhile to ignore the world around us for a while and embrace the new aesthetic and intellectual values that one brilliant artist presents to us exclusively and for free. The magic of Persona lies in the fact that we understand what it wants to say, but its statement is made in a way that cannot be interpreted and explained literally. A minimalist but endlessly creative celebration of cinematic language, both silent and conversational, a searing psychological play with two pivotal characters and the audience’s expectations that are shot to the max throughout – though Bergman doesn't need any crazy big twists. A lot of proper filmmaking art for a low price. Thank you. ()

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novoten 

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English Ingmar Bergman's films lock me into a different world, where no mental experience is deep enough to hide. This also applies to the unsettling Persona, which from the opening shot began spinning depressive circles in my mind. In the introduction, the film is a psychological bullet, suggesting that even the experiences we have gained throughout our lives cannot tell us what we really want. With the urgent camera, the story gains a provocatively built atmosphere and an interesting balance of power, where it seems like the two characters could almost switch roles. And yet in the final act, Bergman terribly disappointed me, since given his nature, he allowed the mysteriousness to prevail, causing the storytelling to completely lose its tempo. The plot brings nothing new, it stands still, and the director only plays with his ideas, which complicate all possible understandings of the climax and the story as a whole. ()

dubinak 

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English Somewhat difficult movie with a heavy and uncertain atmosphere, from which you don't know what to expect. The actresses played it great, one with her body, the other with her eyes, and both delivered performances on which the whole film relied. Persona was my very first experience with Bergman and his directorial style, and I must say that except for some inconsistencies that I couldn't explain, I found the experience quite artistic and purely emotional. ()

Isherwood 

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English This is a hyper-intellectual fetish for which I’d beat Bergman with an IKEA chair. I really suffered during the mandatory school screening to the point where I wanted to take off my glasses and gouge both my eyes out. I know why I voluntarily avoid this conversational art by a mile. ()

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