Mission: Impossible - Dead Reckoning Part One

Some brilliantly overblown action sequences in a generally problematic film for me. MI may look deadly serious, fateful, whatever, but I'm afraid we're already on the level of the Fast and Furious franchise in terms of plot intelligence. The whole AI stampede is utterly ludicrously contrived, the plot still has to be explained verbatim by one of the characters to get the viewer to at least frame it, but it doesn't help much. If we forget about the craftsmanship and just think about the plot itself... I don't believe it makes sense to anyone. For example the dialogue exchange at the Venetian party, WTF? We spend over two and a half hours looking for a key, next thing we know we're diving towards a submarine for over two and a half hours, then Cruise shoves the key up the AI's ass and it goes nuts or something. 83 percent and 620th best movie, My God. (2023-10-23)

From the 4th episode, Mission Impossible is one of the great spy action series, where every new episode is a big action feast, and I was expecting Reckoning to be one of the movies of the year. Even though it's a great show, I thought it was a bit slower compared to Fallout and Rogue Nation, which I think are a level above. Tom Cruise is still in great form and there's one amazing stunt, the craftsmanship is again of a high standard, and the film is definitely a lot of fun, but there are a few little things that slightly detracted from the absolute experience. I don't find the AI theme all that dazzling or interesting, and I'm a little bothered that it will continue into the finale, but I'll probably have to put up with it. Gabriel is a weaker villain than the previous ones the franchise had and doesn't even have much scope, I felt like there were fewer high tech gadgets and there were definitely fewer contact fights (the bathroom fight with Henry Cavill still resonates in my head, no such satisfaction here). The chase in Rome is cool and thanks to Fiat it's very fresh and original (it doesn't have the same feel as the motorbike chase), but the finale on the train is excellent (the scene where Cruise has to change from carriage to carriage is one of the best sequences of the whole series, that was a really cool eye candy moment), so even though I have a few minor reservations, it's still a great blockbuster that's worth seeing in the cinema, but when I compare it to this year's action movies, both John Wick 4 and Extraction 2 were surprisingly more satisfying. 8/10. (2023-07-26)

The best Brosnan movie of the 1990s inadvertently released in 2023. If I leave aside the slightly WTF technophobic foundation and the chaotic motivations and donkey bridges arising from it, this is a king-sized portion of superbly constructed and charismatic action in which the climax aboard a train is the dominant feature. This is probably what Nolan’s take on Bond would look like. That’s good enough for me. I'm looking forward to part two, aka The Hunt for Red October. (2023-07-13)

Hunt vs Hall 9000 round one. Basically a tie between the sheer technical brilliance and perfection of each action sequence with a dated and clunky script that is perhaps supposed to be a homage to the old (Roger Moore) Bond films or something. The golden rule is, stick to what you know and what you're good at, and Christopher McQuarrie overestimated himself this time and showed that he doesn't understand computers at all, otherwise he wouldn't have written such a piece of garbage. I'm not saying it doesn't work for the average person, it's just that for IT people it will be like scraping your fingernails on a blackboard in places. He can still salvage a few things in a sequel, but no one can take away his English-speaking Russian submariners and theatrical speeches about deleting oneself in cyberspace. He can still move and offer an interesting twist, but it's as if he's started to care about the Tom crap instead of the story. Otherwise, everything we're used to works. The actresses are fine. Hayley Atwell clicked with Cruise whether she's stuck on him in Rome or when they're talking on the train. Beautiful locations and beautiful shots. Tom is starting to look old though. One more episode and then it would be nice to kick off the Extreme Old Man series. (2023-07-17)

The collaboration of the McQuarrie-Cruise duo is a well-established brand promising a modern take on old-school action in an edgy, thrilling and adrenaline-fuelled setting, and that is absolutely true this time as well. Many things could be praised, but the best way to describe it is that even though we've seen chases through ancient buildings in a small car or action in an out-of-control train countless times, the way it is paced, plotted and delivered here is both breathtaking and riveting in a way that will make you sweat your shirt off from the sheer dodging and clenching of fists. A genre film that defines (though does not redefine) the genre to the core. Too bad about the apparent lack of closure and the bland villain. Hats off and pure enthusiastic curiosity about where they want to take it in the finale. (2023-07-08)