The Gentlemen

A sad and unwelcome moment when one of the best directors puts a group of people I love (Matthew McConaughey, Colin Farrell, Charlie Hunnam) or even adore (Hugh Grant, Michelle Dockery) in front of the camera and creates a new contribution to one of the most beloved genres, and the public reacts more than positively – and I end up sadly shaking my head at the result. The form, the pacing, it's all there. But sticking to drugs, poses, and dialog competitions about who can pee further after the age of fifty seems at least unfortunate to me, in some twists even stagnant. In the details, it's still the same Guy Ritchie from Snatch, but on the whole, for the first time ever, nope. (2020-11-10)

Ritchie is a bit restrained this time and delivers a witty action-comedy with direct, typically British humour, which is not for everyone, but it has a sophisticated script and McConaughey as an alpha-male who is hard not root for. A film about drugs presented in such a way that it makes you believe it’s cool to be in the business. Of course, as long as you don’t complicate things, as is the case here. Among the superb, I would put Hugh Grant on top. After the insane mangling of the classic King Arthur, this is finally a return to waters Ritchie understands and relishes. The result does look accordingly, too. (2020-03-29)

It’s as if Guy Ritchie was sorry about Aladdin and came up with a movie his fans wanted to see. He was obviously enjoying himself. While I’m not one of those who haven’t been satisfied with Ritchie’s work from recent years, I truly enjoyed The Gentleman;it’s an entertaining movie with a smart and funny screenplay (the whole movie is actually an anecdote whose sole punch line is a single, almost the final, scene), excellent actors including Matthew McConaughey in the role of a modern Vito Corleone, go-getting and sure-handed direction... what more could you ask for? (2020-02-10)

Guy Ritchie returns to the genre that made him famous and serves up a pure crime gangster flick that is probably the closest thing to Snatch. The film has a very unorthodox storytelling and at times it can seem confusing. Especially at the beginning I couldn't quite get into it, but somewhere in the middle I was enjoying truly it, and a big thanks goes to the awesome performances by the cast. Matthew McConaughey and Charlie Hunnam are traditionally excellent, Hugh Grant feels like in the role of a lifetime, and Colin Farrell steals all the scenes for himself and rips your diaphragm! Apart from the performances, the film is pulled up by the great black-dry British humour and the unexpected twists. Guy Ritche has made a playful, stylish, funny and unconventional gangster film and people will love it. 7.5/10. (2020-01-25)

Four stars, by a hair’s breadth. It’s not as sophisticated as it wants to be, the final twist is rather banal, and the lukewarm and cluttered first half does the film no credit. Ritchie can do better than that and the current 89% rating on this site is completely overblown. All in all, I enjoyed myself: there are a couple of good ideas and you cannot help but root for excessively elegant McConaughey... but I don’t feel like I’ll want to rewatch this. I almost feel compelled to paraphrase the Bard in saying this is much ado about… well, not entirely nothing, but a slightly above-average film. (2020-04-03)