First Man

At first glance, this is an odyssey bordering on a thriller: stark, direct, and overwhelming, where I honestly don't understand how the same Damien Chazelle who beautifully dreamed and overflowed with romantic ideas in La La Land is now sitting in the director's chair. In the narrative establishing shot, there is a pure insight into a man's painful soul, at first just wandering, then palpable, then ultimately irreversible – and that is such a force in a silent moonlit landscape that it outshines even the formally perfect aerial sequences. Ryan Gosling's unfathomable gaze into emptiness hasn't been such a good fit in a long time. (2018-10-30)

Damien Chazelle is one of the most interesting young filmmakers of our time, and I don't know if Whiplash or La La Land is better. Anyway, with these two films he has shown that he is not going to be stuck in one single genre, so I was looking forward to the Neil Armstrong biopic and the story of the conquest of the moon. In part, I got exactly what I expected and wanted: a technically perfect film that suits the IMAX big screen, has great cinematography and a sound design that makes you feel scared during the Apollo 11 launch like a regular horror movie. It's great to watch, but Chazelle tries to tell perhaps too many things surrounding the event, and there are just too many stories of pilots, engineers and families. So much so that a lot of them fizzle out and don't lead anywhere substantial plot-wise, or have as much emotional impact as they might have wanted. Overall, though, this is still a must-see film, and preferably in the best and biggest theater possible. There, First Man can be compared to Gravity or Interstellar, at least technically. (2018-10-04)

What a surprise by Chazelle! Distinctive, cool, gritty, exquisite. An incredibly plausible reconstruction of one of the key events (not only) of the 1960s, where, apart from the journey to the moon itself, there is also a brilliant depiction of the society and family values of that time. Without pathos, without heroism, and with the depressing clacks and creaks of space rocket interiors. (2018-10-21)

I was a bit skeptical, but this is a film that should be seen and as a result I am pleasantly surprised. This is my first film experience with Damien Chazelle, his work hasn't interested me much so far, but he's getting my attention with this film. First Man is an engaging biopic of Neil Armstrong and it was very nice to see how everything works behind the scenes in this one. Ryan Gosling is excellent as always and the trip to the moon is nicely paced and suspenseful. I wasn't downright bored despite the slower pace, but if I had to choose from recent great sci-fi to watch again, I'd probably prefer The Martian and Interstellar. Decent. 75%. (2019-01-15)

What comes to mind is of course a comparison with Interstellar, Gravity or, God forbid (the premise!) Apollo 11. In the first two instances, the similarities are visual while in the third case they relate to the plot. However, The First Man is still a unique film, by which Damien Chazelle managed to blow the minds of everyone who were looking forward to a typical action flick with everything it entails. Because The First Man is everything but an action flick, even though it is full of suspense. My only regret is that this film is too long. Certain dialogues could’ve used some cutting. I however liked looking at Neil Armstrong with his own eyes. Naturally the most visually compelling part of the film is its second half that beautifully shows Apollo 11 landing on the Moon. It almost makes you think that the director and cameraman actually landed on the Moon again to take these breathtaking shots. I can imagine that watching this in a cinema must be absolutely fantastic. Ryan Gosling is of course a great choice. I didn’t think he would come unprepared for his role of Neil Armstrong. Moreover, the political debates revolving around NASA were a welcome bonus. (2019-10-16)