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A young man struggling to access sublimated childhood memories finds a technique that allows him to travel back to the past. Occupying his childhood body, he is able to change history. But every change he makes has unexpected consequences. (New Line Cinema)

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Reviews (12)

novoten 

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English Constant hopelessness and despair in a perfect package of time jumps and subsequent catastrophes. At a time when the Fateful Touch was still an unknown video cult, I remained scalded in front of the screen, because such a directorial debut is a made miracle. There aren't many movies where the viewer wishes for a happy ending more, because there are too many constant bad ones for one nervous system. Sometimes we only achieve victory through sacrifices. ()

Pethushka 

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English The psycho beginning aside, this is a nice and sensual film. However, I was quite confused in the first few minutes and had absolutely no idea who was getting the beating. Then it got clearer and I couldn't stop staring. Ashton Kutcher played like we haven't seen him before and Amy Smart was a great partner for him. I experienced that killing feeling of helplessness with them to the maximum. And it scares me just to think that someone would sacrifice themselves for me like that without me ever knowing about it. I even shed a tear at the end. Nice, 4 stars. ()

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angel74 

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English The idea that we could travel back in time and change the past as we see fit is so appealing that even I sometimes get swept away by a film that tells this story. Here, however, the frequent illogicality of the plot spoiled the overall impression. Even Ashton Kutcher couldn’t save it. He is nice to look at, but unfortunately, that's about it. (65%) ()

DaViD´82 

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English Where its genre brothers (for instance, 12 Monkeys or Donnie Darko) in their complexity are just starting to warm up they’re wheels of logic, The Butterfly Effect with its “plot based and time paradox" line are still standing at a red light. Even so, it’s still a good movie, especially in the first half. After that the screenwriters (and, because they also directed it, the directors too) start running out of breath and ideas, while Kutcher runs out of talent. The whole movie starts to sink into the waters of mediocrity, with one cliché after another, and only thanks to the timely ending it didn’t sink even lower. ()

POMO 

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English This film’s numerous visual tricks, incredibly high-octane plot and mysterious atmosphere, supported by a beautifully mysterious and emotional soundtrack, will captivate you and give you a powerful and moving experience. But if you use your head more actively, you will repeatedly get tripped up. Some of the twists are solely for effect and diminish the sense of what happened before (why didn’t he return more times to that one moment and shape the circumstances so that everything would be perfect?!). Actually, the whole film is a less sophisticated version of Twelve Monkeys, but revolving not around the end of the world, but around love. ()

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