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From master story teller Guillermo del Toro, comes The Shape of Water – an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1963. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of silence and isolation. Elisa's life is changed forver when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. (Fox Searchlight Pictures US)

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Reviews (14)

Kaka 

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English An utterly unique and bizarre retro-futuristic fantasy, an original mix of childish naivety, teenage infatuation and adult sexuality, combined with occasional brutality. Michael Shannon and his black fingers are so over-the-top. I get the Oscars, it's "something different" than what’s usual in the film medium, but I didn’t get a proper film experience. ()

Zíza 

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English Set design great, nicely shot, a beautiful creature... and then there’s the rest of it. Messy and flaccid, of questionable artistic value, quietly loud, stereotypical – like it's all set in some artificial town full of robots playing humans. And yet they are all completely horny. I don't understand the Oscars (except for the sets), but neither do a lot of other people, so it's okay. 50%. ()

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lamps 

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English A beautiful cinematic caress that delighted me both with a beautifully told sci-fi story from a time when there was no need to overwhelm the viewer with special effects, and with a creative stylistic hand that manages to upgrade the story effortlessly to the demands of modern audiences. Weak on the emotions and with a slightly overwrought script, but excellent actors and top-notch direction referring to the film formulas of the fifties. ()

D.Moore 

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English A great fairy tale with a deliberately B-movie story, but with its message and how it caresses on the soul, it trumps films that are more ambitious. Sally Hawkins is magical in the lead role, and Michael Shannon has created such a hideously entertaining story that I think it should belong to film history - his ambitious maniac is an example of someone completely unique in recent times. Del Toro's precise directing and Desplat's music, whose main motif you want to constantly whistle during the film, wraps it all into a beautiful experience that was seriously worth waiting for, although it premiered more than two months ago across the pond. ()

Malarkey 

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English I was hyped for the new movie by Guillermo del Toro. A bunch of Oscar nominations only strengthened my excitement. But I really didn’t expect a fantasy premise to turn into a fantasy zoophilic romance. I don’t think this is the first time this idea has occurred to somebody in America but each time it only pissed me off. I can’t wrap my head around why Guillermo himself would waste his time on a story like this. ()

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