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Alfred Hitchcock's landmark masterpiece of the macabre stars Anthony Perkins as the troubled Norman Bates, whose old dark house and adjoining motel are not the place to spend a quiet evening. No one knows that better than Marion Crane (Janet Leigh), the ill-fated traveler whose journey ends in the notorious "shower scene." First a private detective, then Marion's sister (Vera Miles) searches for her, the horror and the suspense mount to a terrifying climax where the mysterious killer is finally revealed. (official distributor synopsis)

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gudaulin 

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English A cinematic delicacy that belongs to the golden treasury of world cinema. Even if Alfred Hitchcock had made nothing else, he would still deserve a monument carved in marble. The shower scene or the fall down the stairs are, for me, symbols of perfect direction, while the slowly turning chair in the basement symbolizes horror as a distinct genre. Anthony Perkins is excellent, and he never managed to surpass his performance and essentially remained trapped in the role of the deranged Norman. The ingredients in this film are balanced so well that it became a delicacy... The extraordinarily impressive music is also worth mentioning. Overall impression: 100%. ()

D.Moore 

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English So I’ve finally really gotten to know Psycho! This is because the film is so well known that from all the previews and photos I've seen, all the TV documentaries, all the paragraphs in books and magazines, and the song titles on Herrmann's extra-fierce soundtrack, I felt like I'd actually known it for a long time. And since one of those notorious things is the point, despite all my admiration for the greatest master of suspense, I wasn't that keen on watching Psycho. Come on, stop looking at me like that, we all do stupid things. I did enjoy Psycho last night, though. In a movie theatre, in fact. I didn't notice the giggling of the rest of the audience, who had apparently seen the film for the tenth time, and I sat there like a chained man. I was very pleasantly surprised by a lot of moments I didn't know and which I quite possibly liked the most - especially the (non)sinking of the car into the peat bog and the private detective walking up the stairs (that was truly worthy of a heart attack). Needless to say, Psycho is one of those films that deserves a sixth star. ()

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J*A*S*M 

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English It’s such a shame that this film’s twist is so profane today, the experience would have been much greater without knowing it. What surprised me a little is that it was the bathroom scene the one that became the most famous, I think the one of the attack at the stairs is a lot better – it’s one of the best and most terrifying attacks on film I’ve ever seen. Basically, it manages to precisely capture the instant between the reveal of the attacker and the attack itself, thus saving both the moment of surprise and the moment of tension. It’s like when, in a fraction of a second, you notice that the person who has just started running towards you is holding a knife. Yeah, and before I forget, Psycho made me realise what is that thing that often bothers me in old films, that characters driving a car shot from the front turn the steering wheel too much :-) 90% ()

Othello 

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English Somehow I'm getting lost here in the flood of "immortal", "classic", and "timeless". I mean, Psycho has undeniable value considering when it was made, but for all intents and purposes it's now just an outdated entertainment artifact. The script scrapes its dialogue from the bottom, the acting and general direction of the actors is severely laughable (apart from Anthony Perkins, who is quite out of step with the production of the time in both his performance and appearance), the early identification of the killer takes the edge off the scare, and the editing is downright prehistoric. The interesting reveal and cinematography were enjoyable, plus I believe that to experience Psycho in its time would be pretty psycho, but nowadays the film operates on significantly different algorithms. ()

Zíza 

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English I'll preface this with the fact that it's a better 3 stars. Where this movie wins is the music. I watched it in the cinema, with my classmates around me, and quite a few of them flinched in horror at the murder of the private eye. But that's mostly because of the music. Unfortunately, it didn’t fire me up, which is definitely a shame. And the other problem was that it was clear to me almost from the beginning what the ending was going to be. But I think this film belongs in the "must-see" column, so I don't regret going to see it at all as part of Project 100. But the last scene (before the credits jump in), that was really awesome. ()

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