Life

Very nice cinematography evoking Lubezki’s work with space and a nice pace, which, however, hand in hand with the dull character profiles and the bland appearance of the space creature, makes Life a hilarious piece of B-grade sci-fi fantasy. The tension is there, but compared to Scott's claustrophobic Alien, it's just a miniature concoction worthy of oblivion. (2017-12-08)

Life is missing... life. Although it has a very nice liquid first scene and a very ambitious artistic aspect, even the olm that mutates into an octopus from the second floor is said to correspond to scientific knowledge. However, the rhythm of the film, which has the pace of a beginner driving at a driving school, certainly does not correspond to scientific knowledge. I really don't consider the alternation of tiring and awkward dialogues and action scenes to be the rhythm I want to indulge in in a similar thriller, especially when the motivation for the action is getting more ridiculous every minute. The fact that it’s a B-movie wouldn’t matter - if it hadn't been covered in the needless coat of attempts to create a contemplative A-movie, and if Espinosa hadn't directed with a ruler in his ass, it could have been at least as funny as in the first scenes. (2017-03-22)

In moments when Daniel Espinosa attempts bouncing gravity steps, I mutter to myself something about missed ambitions, but as soon as inspiration from a certain legendary space creature fully manifests, it's a win. The tension doesn't let up even for a moment, Jake Gyllenhaal holds his own even in scenes full of seemingly meaningless dialogue, and even a good few hours after it's over, the thought-provoking conclusion continues to linger, forcing me to contemplate the causes and consequences. (2017-03-24)

A mix of Gravity and Alien, intended to be dominated by man-eating plankton. There can't be much talk about originality, because the creators have obviously had a look at older pieces as well as the new, modern Gravity. The space walks and the destruction of the station are basically indistinguishable from Cuaron's opus (so cool), while the case after the module and the motion sensors look like right out of Alien. And of course there must be a racially and nationally diverse squad of astronauts (gradually dying) and at least twice in the film it must be mentioned that developed countries like Russia, USA, China are involved – exactly in that order! The ending is gratifying but not surprising. Just like Rebecca Ferguson. It’s a thematically heavy sci-fi flick that turns into light entertainment for any given evening. (2017-06-15)

As an appetizer before the upcoming Alien flick, it was solid. What are we going to say, sci-fi horror movies are like saffron and with a 60 million budget and such a stellar cast, even more so. There's not much attention paid to the story here, after the opening 20 minutes the film deals out its cards clearly and it's a cosmic whodunit with a very creative creature feature that is definitely engaging. The atmosphere thickens decently, there's no shortage of tension, the music builds wonderfully and the final shot is bound to please any fan who grew up on horror films. I'm satisfied, well made entertainment. 75% (2017-03-29)