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Set in the 1930s, Woody Allen’s bittersweet romance Café Society follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. With Café Society, Woody Allen conjures up a 1930s world that has passed to tell a deeply romantic tale of dreams that never die. (Warner Bros. Home Entertainment)

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NinadeL 

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English Last time, I was quite enthusiastic about Magic in the Moonlight, but Café Society is even better. I haven't experienced this much authentic happiness from interwar Hollywood in a long time. There are plenty of excellent details, winking, and playing with names and projects, as well as the classic relationship analysis. It's not necessary to enjoy a romance that isn't quite tip-top, but if you appreciate art deco and a zillion references to all those names like Gloria Swanson, Barbara Stanwyck, Ginger Rogers, or Jean Harlow, you've come to the right place. The costumes, the sets, and the atmosphere are all top-notch, and only after all this did I realize that the make-up is not period-based, but fortunately, that doesn't ruin the whole (which is an interesting paradox). ()

Lima 

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English It's a love triangle, that's all there is to it and the whole thing kind of fizzles out. Woody only makes films out of inertia these days, but Café Society in particular is so caressing, cute, and in its own way, endearingly old-fashioned, especially since it has the flawless atmosphere of 1930s Hollywood, an era that has always appealed to me, an old-timer. In addition to that, I realised that Stewart can be attractive when the role allows her to. And in fact the ending was exactly as melancholic as it should. ()

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J*A*S*M 

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English 51st KVIFF – Allen has made a recycled, safe comedy snack. Eisenberg plays a confident and absent-minded young man. Steward city is a mess, so there’s balance in the universe and everything is where it should be. The characters aren’t real people, but one-dimensional figures on the chessboard of Woody’s humour, and everything just fizzles out. ()

kaylin 

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English Woody Allen seems a bit worn out in this film. Sure, it's very well shot, the dialogues occasionally make sense and are even interesting, if not entertaining, but overall, I kind of felt like it was about nothing in particular. I couldn't really connect with the characters, and for example, the second Veronica seemed unnecessary and self-serving, although, of course, she has a certain purpose. ()

novoten 

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English I often shook my head because the script was deeply submerged in nostalgia and was constantly throwing in old Hollywood names just to show how great Phil is. But when it decides to tell the story we came for, Café Society becomes a smooth and nervous retro with a sweetly sounding string of longing. 70% and rounding up precisely for that infallible final note. ()

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