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Set in the 1930s, Woody Allen’s bittersweet romance Café Society follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. With Café Society, Woody Allen conjures up a 1930s world that has passed to tell a deeply romantic tale of dreams that never die. (Warner Bros. Home Entertainment)

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kaylin 

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English Woody Allen seems a bit worn out in this film. Sure, it's very well shot, the dialogues occasionally make sense and are even interesting, if not entertaining, but overall, I kind of felt like it was about nothing in particular. I couldn't really connect with the characters, and for example, the second Veronica seemed unnecessary and self-serving, although, of course, she has a certain purpose. ()

Malarkey 

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English If you like Woody Allen, his character in this movie will definitely catch you eye real quick. And I have to say that Jesse Eisenberg really nailed the classic emotional nut case. Apparently, he’s been watching all of Woody’s movies, because not only did he have the gestures down, but also the general body movements, faces and overall behavior towards women. What’s more, for this movie, Woody chose a rather rewarding theme that he loves very much and so he poked fun at the extravagance of the legendary Hollywood generation of the 1930s once again. Steve Carell, for example, was absolutely excellent in his role. But what initially looks like another Woody dialogue movie from a world of the young, hopeful and the rich eventually reveals itself to be a very light melancholic drama with a hint of gangster movie. Once again, Woody shot a movie that’s absolutely typical of him and once again, he brought in something inconspicuously fresh that can caress the soul and fascinates at the same time. ()

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J*A*S*M 

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English 51st KVIFF – Allen has made a recycled, safe comedy snack. Eisenberg plays a confident and absent-minded young man. Steward city is a mess, so there’s balance in the universe and everything is where it should be. The characters aren’t real people, but one-dimensional figures on the chessboard of Woody’s humour, and everything just fizzles out. ()

Lima 

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English It's a love triangle, that's all there is to it and the whole thing kind of fizzles out. Woody only makes films out of inertia these days, but Café Society in particular is so caressing, cute, and in its own way, endearingly old-fashioned, especially since it has the flawless atmosphere of 1930s Hollywood, an era that has always appealed to me, an old-timer. In addition to that, I realised that Stewart can be attractive when the role allows her to. And in fact the ending was exactly as melancholic as it should. ()

Kaka 

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English Woody Allen is still making the same thing, but in an increasingly heady and mature way, and in an increasingly refined formal package. Another accurate and perfectly shot relationship drama from the 1930-40s in the irresistible glitter of the bygone glory of the old party cabarets, frills and refinement of the elite of the time. It's a film that is all the more powerful the more times you find yourself in the various relationship and emotional breakdowns of the main characters. Someday Woody will be remembered a lot, as he was able to extract a bunch of stuff from life and put it on film with refinement and insight, yet crystal clear truth like few filmmakers, and in an original and typically quirky way that has become his own and he applies it as his signature trendy trademark. ()

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