La La Land

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Written and directed by Academy Award® nominee Damien Chazelle, LA LA LAND tells the story of Mia [Emma Stone], an aspiring actress, and Sebastian [Ryan Gosling], a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams. (Lionsgate US)

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Reviews (17)

J*A*S*M 

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English Am I supposed to feel touched by a stupid romance between two unlikeable, narcissistic elitarians? Am I supposed to suffer because of their first world problems? All because of a film with a plot disguised as a ridiculously banal allegory of the four seasons that is more see-through than Casper the ghost? Fuck no! There is plenty to praise (the random stage sets, a couple of cute moments, the last ten minutes or so – that would have worked better with more likeable characters), but if this is supposed to be an unrivalled favourite for this year’s Oscars, kiss my ass! No LA-LA here for me, massive disappointment. PS: I’m still thinking why this film didn’t work for me (because I really thought I would like it). The main reason I see is that the initial musical build-up of the relationship doesn’t manage (at least for me) to lay down a sufficiently strong foundation for the feelings in the ambitious non-musical ending. ()

DaViD´82 

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English It´s way too much for a musical, or perhaps it´s the other way around. Hard to say. In the first third, it is also a regular musical, where one well-directed musical scene in one shot alternates with another. But then the singing fades away and what remains is (and visually pleasingly beautiful) tribute to the technicolor era of Hollywood and classical jazz. Although still in the form of a music / dance film, but not a musical in the true sense. Or, conversely, there are too many songs and the opening third should also have done without them like most of the rest of the footage. But it should definitely have been fifteen or twenty minutes shorter. However, what saves the movie is the "we always have our beloved Paris" bittersweet ending. During this one, I would be willing to ignore every drawback. ()

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Pethushka 

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English It's been a long time since this genre has been this good. I myself don't understand what the magic is and where that lightness comes from, which so many others are usually lacking. I can't even imagine how hard it must be to gauge the line between genius and kitsch in film music. You can really smell the talent. And Ryan, with Emma by his side, just lays it on like he was born for the part. 4.5 stars. ()

3DD!3 

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English Cute, thought-provoking, sad and happy. I like the realistic approach that Chazelle grafted onto the musical structure and its completeness. The dramatic arc in La La Land works incredibly well and indicates an active decision to make very alternative, unusual choices. Gosling and Stone are perfect. ()

MrHlad 

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English A gem where Damien Chazelle beautifully led me as a viewer. It all looks and sounds beautiful, but I had a problem adjusting to the fact that La La Land is too retro and a tribute to old musicals. But the director saves the strong emotions, the brutally truthful moments, and a slightly harsher treatment of the protagonists for the last third. That truly broke me. And it is precisely the contrast between the beautiful dreamlike world full of color and love and the reality that can be very cruel to dreamers that places La La Land among the films that simply must be seen. ()

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