The Jungle Book

This year the animals rule!! From the opening minutes, The Jungle Book took my breath away with intensity and nostalgia so much that if I hadn't swallowed all the pills on the table, I would probably be dead. This is literally and to the letter a fairytale orgasm! If someone had told me at the beginning of the year that the villain of the year would be a tiger, I would have laughed it off with gusto, and today I would be tapping my forehead because what Sher Khan did here for an animalistic, dominant and superior performance, hats off to him, my respect was as high as ever, and that's not even mentioning the other evil that can lurk in the Jungle, it's just never safe there. The Jungle Book is also very informative, visually breathtaking, at times you don't know if you are looking at the real world or the digital world even though you know it is all digital; the animals are look amazing, they have great characters and I believe that this is how it works in real life. I must also praise the very intense pace, the tension builds up by the minute and so do the emotions – I found myself in tears twice and after each scene with the elephants. I put the film in the top list and this year it will definitely defend the top positions, I haven't had such an experience from a film in a long time. The film has only one fault and that is that it is not an hour longer. 150%. (2016-08-10)

If they can’t do it through the comics, they will do it with visually impressive animal almost-animated adventures? No way. That's where the cool vibe of the book is. There's a lot of frolicking, and if it weren't for all the technical niceties and the incredibly elaborate digital animation of the animals, it would hardly be mediocre, because the few witty comments can't save the hugely short, desperately underwrought story and uneven pacing. Avatar remains unsurpassed in technical opulence and the effort here was felt all the way across the screen! (2016-05-02)

The story is the good and never too old Kipling’s classic enriched with a couple of contemporary metaphors, but when it comes to special effects it is a fantastic joyride through the Indian jungle, almost identical to Avatar. The action in the temple is big and thrilling. Kids will dread monkeys. Which is good. Walken as Louis slightly copies Brando in Apocalypse Now. Even the classic songs and scenes work well and the scenes with Baloo are just overflowing with optimism. (2018-05-26)

Jon Favreau never really appealed to me as a director. Iron Man is a retrospectively weaker Marvel movie that stands and falls mostly on Robert Downey Jr. (and don’t get me started on the second one), Cowboys & Aliens is awful and Zathura is pretty good. Nothing more. So when he took a swipe at The Jungle Book, which everyone knows, I didn't particularly care for it. Which makes the result all the more enjoyable. It's not that it's a perfect film, at times it's quite choppy in terms of story (the part with monkeys could have been shorter), but as a film with ambitions to entertain young and old viewers alike, this journey among digital animals simply works. Favreau handles the action scenes, the suspenseful moments and the humour, and he also keeps an eye on the visuals. The Jungle Book is gorgeous, and the wilderness can even bear comparison to Avatar's Pandora. There's plenty to look at and I imagine the little ones will stare at the screen with utter delight, whether it's Baloo cackling, Sher Khan terrifying or Scarlett Johansson hissing. This is not a cinematic revolution or a film that will go down in history, but it’s a very proper genre film where almost everything works as it should. Well done. And I wouldn't mind seeing it a second time. (2017-05-15)

Nostalgic escapism to the max. Two thirds pure pleasure from the creation of the world and a return to the values that defined me as a child, the last third a bit inevitable recognition that Favreau is not a magician, and if his cards are shuffled well, he simply plays a dignified game. Technically, it is without debate amazing, whilst the construction and gradation are slightly uncertain. But a few moments are not worthy of true emotion. (2016-05-01)