Transformers: The Last Knight

Michael Bay has finally eradicated even the last remnants of his greatest enemy: logic. He serves us a divine 151 minutes of eclectic spewing of unspoken / discontinuous motifs. This is finally an abstraction that was only in its infancy in the previous half-timing hypnagogic installation. A spectacular ADHD attack that begins at the end and then progresses to an admitted self-parody. At the same time, it contains the mutated bacteria of several films, which the director's feverishly working mind will never allow to overcome the embryonic stage and moves on. Bay's ability to move in the narrative chaos and find a robotic order in it is liberating to surreal. Finally! The first film that gives the impression that it was created by a combination of a random generator of trending motifs and a wonderfully ill human mind. It may seem like a recession on my part, but I mean it. Compared to Transformers 5, other blockbusters feel like a careful game of certainty. I couldn't tear myself away from this eruption of confusing, yet strictly arranged shapes; I wasn't bored for even a second. The best, most detached and strangest Bay film. I urge anyone who gives it five stars to call me on the secret line. I will pass them on silently to Witwicky. They are the people of the future. Or the people of a world that will never happen. Robots write human history and chat with John Turturro on Cuban beaches. All the power to imagination and Optimus! (2017-06-22)

Michael Bay goes on and on and on, and this fifth episode might give you the impression that you are watching the fourth or the third. The originality is gone, so is the scriptwriting inventiveness and, unfortunately, the initial charm and idea too. Wahlberg does his thing, and every episode has a hot chick in the mix – it's almost like a Bond tradition. One can't deny the visually pompous finale and the intended self-parody, but the intertwining of the story with the Knights of the Round Table, well, that was a bit too much, even by Hollywood standards. On top of that, the ending hints at one or two more episodes. God help us all. (2017-09-17)

Absolutely unnecessarily overcomplicated trash and the worst Transformers ever. Seriously. I liked the previous film, but this is not so much a jump as a fall down, which is not saved even by the special effects or action and it’s nowhere near as good as any of the previous films. This time people do not matter to the screenwriters or the director at all, the storyline is a downright parody (but unfunny)... And on top of that, it's awfully long. It’s too bad, I was expecting to have fun. (2017-06-30)

151 minutes. Of that, some 60 minutes could go immediately. And cut the rest. And just leave the finale. And throw that out, too... The Fifth Transformers were a pain to watch. Michael Bay more or less does what you expect him to do, but otherwise it's a schizophrenic spectacle. At one point it feels like a kids' movie. then we get some big military sci-fi, followed by a teen comedy featuring Anthony Hopkins instead of Stiffler, and then there's some robot carnage for a while. Bayhem works properly. If it entertained you before, it will entertain you this time. Unfortunately Transformers loses on all other fronts. The characters fail to engage, the humour is hammy, the plot moves in weird jumps so that most of the time I had no idea what was happening on screen or whether Mark Wahlberg and Josh Duhamel were already buddies or still adversaries. And I really can't say that I remember anything positive from those two and a half hours. So, in the end, I was most impressed with the opening hour, which doesn't even try to pretend to have any purpose other than to introduce as many cute little robots as possible taking a toy store by storm. This cynical and pragmatic approach deserves respect. (2017-08-16)