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In WILD, director Jean-Marc Vallee (Dallas Buyers Club), Academy Award winner Reese Witherspoon (Walk the Line) and Academy Award nominated screenwriter Nick Hornby (An Education) bring bestselling author Cheryl Strayed's extraordinary adventure to the screen. After years of reckless behavior, a heroin addiction and the destruction of her marriage, Strayed makes a rash decision. Haunted by memories of her mother Bobbi (Academy Award nominee Laura Dern) and with absolutely no experience, she sets out to hike more than a thousand miles on the Pacific Crest Trail all on her own. WILD powerfully reveals her terrors and pleasures --as she forges ahead on a journey that maddens, strengthens, and ultimately heals her. (Fox Searchlight Pictures US)

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Reviews (13)

lamps 

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English Better than Into the Wild, it works much better with the dosing of information and always has something to reveal. Reese is great and you never lose interest in her character, though many of the scenes are not precisely the most memorable (but many are enriched by “El Condor Pasa”). For me it’s also valuable as an educational documentary – I realised that I would go on a long nature trip only with a bunch of armed friends and accompanied by a car carrying beer, a coolbox and a grill. That would be proper wilderness. 75% ()

DaViD´82 

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English When you cheat and take drugs, you become a prostitute... What is surprising is that the Wild is also good in terms of the intimate and chamber line "lonesome Witherspoon - inhospitable nature - endless purifying walk - the eternal self-question of the heroine". On the contrary, on this level, it does the job really well. To the extent that it makes you want to take a bag pack, go on a solitary hike and at the same time clear your head. The only drawback are the unnatural flashbacks, which at first can do with only hints/flashes in a nice way, but the closer Cheryl's journey comes to an end, the more literal and didactic they are. But what it only takes is one alpaca and everything what should be said becomes instantly clear. ()

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Kaka 

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English There are two reasons to check out these spiritual odysseys like Wild or Into The Wild: the haunting scenery and spiritual cleansing, or at least the psychological nitty-gritty of a main character full of opinions, attitudes and experiences that come into direct confrontation with the question of whether this or that decision is good or bad. With a little imagination, everyone will find themselves, at least for a while in some passages. They have done it cleverly and for good measure put in basically all the negative model situations that can happen to a person from an early age (a bully father, illness, poverty, drugs, etc.). Wild is less psychedelic and puts more emphasis on family, relationships and the formation of what one should have, or not have in life and what one should prioritise. Reese Witherspoon is convincing and solid, but doesn't, as it tends to do, get under the skin as she should, as despite all the blood and sweat it's still just a bedtime story, or rather a good morning one. ()

POMO 

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English I found the Emilio Estevez’s recent, similarly conceived The Way, in which a father embarks on a journey to find his dead son, more to my liking. It had more interesting interactions between the characters whom the protagonist encountered on his journey. Wild contains a few cool scenes, has a pleasant outdoor atmosphere and Reese Witherspoon holds the movie together. But the flashbacks depicting her relationships with the people from her past do not drive the film forward as much as they should. In comparison, Aron Ralston’s life in flashbacks in 127 Hours was much more powerful and, together with the situation the protagonist had to get out of, managed to completely captivate me. However, Wild still remains a good film worthy of three and a half stars. ()

gudaulin 

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English Reese Witherspoon has decided to reminisce about her more ambitious beginnings and go back to the time before she melted into average commercial comedies. Unfortunately, for my taste, this film is predictable and not very interesting from a psychological and dramatic perspective. I can't remember the last time I found flashbacks so annoying, as they completely disrupt the storytelling. Without them, I would probably give it a cautious three stars - but like this, I can't even give it that. Overall impression: 45%. ()

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