Fantastic Beasts and Where to Find Them

If you expect to go see something that will expand the universe you’ve identified with your entire childhood and that you still swear by to this day, you tread lightly – even on the cinema carpet itself. You have no clue just how enchanted you’ll be in the upcoming minutes. You do not make a sound and suspect that it all ends well. But suspicion isn’t automatically a win. Sometimes it all goes bad and it can be a real mess-up. But not in Newt Scamander’s case, who has originally introduced himself to me with zero emotions and via a book that I’d gotten as a Christmas gift that winter, that I haven’t touched since and that’s been collecting dust somewhere. But film studios are a superpower and money needs to come from somewhere. And when one brand is squeezed dry, another one must replace it and so Newt came to the stage, starting with movie number one and ending with god-knows-what number, all according to the earnings and creative possibilities, of course. But personally, I gotta say that Newt and the other characters have all left a mark on me. During the movie, I realized that once again, I was in the world of witchcraft and wizardry, just a few years earlier than before, which isn’t bad at all. I was also happy to watch Katherine Waterston and Alison Sudol, both of whom I hadn’t even known before. The muggle Dan Fogler also didn’t disappoint me and so didn’t Johnny Depp at the very end. I feel like I know the direction it’s all going to go and honestly, I’m glad Johnny Depp will be a part of it. It’s almost as if my childhood was coming back… And with these kinds of movies, that’s never a bad feeling. (2016-11-28)

Really pleasant. Not a sequel to Harry Potter, or anything like that. There are big names are thrown into the equation, but not as forcefully as I was afraid it would be. Fantastic Beasts are solving their own problems at a time, when Harry Potter’s dad wasn’t even in diapers. For the first time in his career, Redmayne actually plays a truly nice guy, who knows how wave a magic wand when necessary. The Beasts themselves are nice. The Bowtruckle and the kleptomaniac mole are easily the best. Rowling handles the story very well, functional mystery/detective story is gripping to the end. Collin Farrell’s performance is effortless, but the heart of the movie is Dan Fogler. The non-magician’s perception of the world of magic is a great idea. His resigned acceptance of everything that’s happening is magical in his delivery. At first I was worried little wary, but now I can’t wait for sequel. The music is a subtle tribute to Williamson, the main theme is truly well composed. P.S.: Let Fassbender play Dumbledore next time. (2016-11-27)

In general, I appreciate the excessive patience of Potter fans who wait until you know who turns into you know who, but I don't suffer from such a lack of imagination that I can't imagine thousands of better ways to waste 134 minutes of my life. Yes, the film is as long and self-serving as the previous sentence. And it has a nice soundtrack. Your Universal Platypus. (2016-11-16)

For me, this film perfectly fits the term "producer's film." There’s craft certainty, but also inner nihilism. The logical nonsense (why doesn't Scamander use his wand right away in the hunt and instead lets everything go to the extremes?) hidden under Yates' confident direction will lull you into a sense that everything is fine. When you want to recapitulate the plot after the end, you can’t. (2016-11-21)

Yes, I have a soft spot for Rowling and her storytelling, and if I had to spontaneously choose which arbitrary fictional world I would want to spend the rest of my life in, it wouldn't be Middle Earth or Pandora, but a magical community where you can summon beer from the fridge without having to get up off the Quidditch couch. Fantastic Beasts is a satisfying intro to a new series overflowing with visual ideas developed to the smallest detail and, above all, a palpable of love and fascination with its own world and its unlimited laws, which it then successfully transfers to the dazzled viewer through the endearing character of Kovalski. Unfortunately, the story is not that good. Rowling pushes together multiple storylines that flow independently from each other and are connected by rather skeletal and thin bridges in the finale, with the sorcerer Grindelwald, the biggest planned star of the whole series, being an essentially insignificant and unnecessary figure for the development of the story. The darker Potter-esque feel is there, but Yates certainly does an excellent job keeping the film, with the right timing of humour and a nice pace, at least within the confines of a charming children's tale, which is also true of the actors. We'll see what the sequel brings, to which this episode is obviously preparing very much. (2016-11-18)