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Dr. Will Caster (Johnny Depp) is the foremost researcher in the field of Artificial Intelligence, working to create a sentient machine that combines the collective intelligence of everything ever known with the full range of human emotions.  His highly controversial experiments have made him famous, but they have also made him the prime target of anti-technology extremists who will do whatever it takes to stop him. However, in their attempt to destroy Will, they inadvertently become the catalyst for him to succeed—to be a participant in his own transcendence.  For his wife Evelyn (Rebecca Hall) and best friend Max Waters (Paul Bettany), both fellow researchers, the question is not if they can...but if they should. Their worst fears are realized as Will's thirst for knowledge evolves into a seemingly omnipresent quest for power, to what end is unknown.  The only thing that is becoming terrifyingly clear is there may be no way to stop him. (official distributor synopsis)

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D.Moore 

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English A film with a great idea, simple but impressive. I'll bet you anything that if (producer) Christopher Nolan had shot it exactly the way (his cinematographer) Wally Pfister shot it, and if he had cast someone currently more popular than "that washed-up buffoon Depp" in the lead role, the ratings here would certainly look different. Redder. Too bad, but what can you do? I enjoyed Transcendence many times more than, say, Interstellar. Interesting plot from the beginning to the end, believable characters played by excellent actors, no complicated half-baked explanations... And that beautiful hesitation about who is good and who is bad (if anyone). In short, a spectacle to my taste, I round up four and a half stars to the 61 percent on purpose. ()

Malarkey 

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English Disclaimer: I will spoil a lot in this review. I went to see Transcendence in a cinema and had absolutely no idea what to expect. The critics were pretty rough about it. But when do I actually listen to the critics, right? Plus, it seems as if the journalists were conducting some kind of a witch-hunt for Johnny Depp. They say his movies are not so good anymore, they say his characters are not that interesting and that this movie is overcomplicated… I don’t know what they watched, but I think they left during the first ten minutes, because if they watched the whole movie, these alleged movie fans could never say such bullshit about Transcendence. True, the first half an hour was pretty demanding, I was almost thinking that I’ll take a nap in the cinema, but as soon as the first discussion about God began, the movie got quite interesting. Wally Pfister created perfect philosophical grounds for a nice thriller. What if somebody found God, what if that God materialized into a human shape and what if he tried to rule? Would he try to rule in a good way, or a bad way? Hard to say as people would still not understand it. And as the movie repeats several times, people fear what they cannot understand. And that’s what turns it into an absolutely amazing sci-fi in the second half, something the director immediately won me over with. The finale ended in the best way it could. It contemplated over feelings, good and evil and I really liked that. I especially liked the scene where Johnny is deciding whether to help his beloved or not. I will say nothing more on purpose. You simply have to watch it and either the finale will really please you…or not. And I think that causes the overall rating of the film as well. ()

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POMO 

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English We haven’t seen anything like this in a long time. This movie could’ve been saved by a single thing – if it suddenly turned black-and-white and Johnny Depp appeared before Rebecca Hall wearing an angora sweater. After the premiere, I heard three girls of about eight gushing about how they’d write on their blogs that they’ve been to the new Johnny Depp flick and how great it was. So don’t hang your head and go watch this. After all, it’s executive produced by Christopher Nolan, so what more could you possibly desire? ()

Marigold 

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English In my opinion, this is a critical picture of the low social intelligence of scientists who, even if they receive unlimited resources to realize their visions, fail because of miserable PR. But maybe I misunderstood it. In any case, it has been a long time since I have had to work so hard to not fall asleep in the cinema. Wally, don't make idiots out of us. [40%] ()

gudaulin 

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English I get the feeling that Wally Pfister bit off more than he could chew and couldn't transform his ambitions into a form that would allow us to speak about Transcendence as a powerful experience. The position of a director is simply more demanding than that of a cinematographer. Pfister evidently tried to shoot not only an entertaining genre film but above all a film with a deeper meaning. The result is a strange mishmash that neither entertains nor gives the impression of an artistic work. What good is it to engage a significant personality and acting chameleon Johnny Depp when the director tries to suppress him and he doesn't really fit into such a role typologically? He is simply wasted in it, and I can think of a dozen better candidates who would have been much more effective. The prevailing feeling in the end is disappointment and the impression that I have in front of me a grandiose but pathetic-looking B-movie. Overall impression: 40%. ()

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