The Best Offer

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Drama / Romance / Mystery / Crime
Italy, 2013, 124 min

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Geoffrey Rush is superb in this stylish art world thriller as Virgil Oldman, managing director of a leading auction house. Over the years, he has collected hundreds of masterful, priceless portraits of women that he keeps hidden in his villa. One day, Oldman receives a special assignment: a mysterious young woman, who refuses to appear in person, asks him to sell her family's antiques. Not only interested in her classical paintings and furniture, Oldman becomes increasingly fascinated by the mysterious incognito woman, leading to a sumptuous and entertaining mystery of passions, neuroses and intrigue. Directed by Academy Award winner Giuseppe Tornatore (Cinema Paradiso) with music by the brilliant Ennio Morricone, The Best Offer also stars Jim Sturgess and Donald Sutherland. (Mongrel Media)

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Reviews (9)

D.Moore 

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English Well... And on my imaginary list of movie theatrical experiences of 2013 I can tick the box "Absolutely great NEW film with no special effects or action". I understood the protagonist played by the excellent Geoffrey Rush as well as any character in a long time and that's probably why the ending affected me so much. Morricone's amazing music, an unexpected but magical trip to Prague, and a well thought out script. Just another treat from Giuseppe Tornatore.__P.S. I've never seen such a huge list of images used in any end credits.__P.P.S. The less you know about the plot beforehand, the better. ()

kaylin 

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English This is a movie that absolutely blew me away with its ending. I thought it would be just a specific romance, but it had so many additional elements. Whether it was the auction, one of the first robots, or that final twist that really settled with me. Giuseppe Tornatore continues to show that he has what it takes to make interesting films. This one turned out well, thanks to the great Geoffrey Rush. ()

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Remedy 

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English It's a shame about the predictability in the last half hour, because there's really only one possible conclusion after the room (room with a capital R) is revealed. The first ninety minutes, however, are brilliant in terms of building the mysterious atmosphere, aided of course by Morricone's strangely minimalist yet perfectly fitting soundtrack. Despite the final predictability, however, this is an interesting contribution to the genre that mystery drama lovers should definitely not miss. ()

Malarkey 

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English I like movies like this one. I like it when the movie is playing with me and I love stories that can knock me off my feet. And I feel like I have to praise the things that all the users here criticized in their reviews. The director shot a beautiful, mystery story that’s amazing in the very essence of its premise. Geoffrey Rush puts on an acting class and the director Tornatore shows some excellent filmmaking craft and Ennio Morricone wraps it all into some amazing music. It almost seems that this movie cannot go wrong because it was handled by the best in the business. And if it really does look like it was, it makes me all the happier that the movie was shot in Prague of all places. I mean the finale in the Mother of Cities is as magical as it can be. It’s a beautiful and border-line fantastic experience that made me feel really strange afterwards. ()

DaViD´82 

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English I am sincerely sorry for the staff of that dive of a Prague beer bar Pivnice U Milosrdných; I can just see how tourists look in there curiously and then wonder “where has that sumptuous, stylish interior from that great but really depressing movie gotten to?" And I hope that Polanski sees it (the movie, not the beer) to learn in just half an hour what an adaptation of Club Dumas should look like. ()

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