Independence Day: Resurgence

  • New Zealand Independence Day: Resurgence (more)
Trailer 1
USA, 2016, 120 min

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We always knew they were coming back. After INDEPENDENCE DAY redefined the event movie genre, the next epic chapter delivers global catastrophe on an unimaginable scale. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens' advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction. (20th Century Fox)

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Reviews (11)

3DD!3 

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English African dictator, our hero! I saw the dubbed version (almost everybody from part 1 was in it again!) to enhance nostalgia and it worked. The president is a crazy master chef, like in part 1, even though this time his speech is less impressive. On the other hand, it’s the typical sequel horse-shit where the catchphrases from part 1 are repeated and the main tough guys’ kids continue in their footsteps. Remember the president’s little girl? Of course she’s a gofer in the White House and in the end gets into the fighter cockpit and kicks ET ass. Emmerlich makes the aliens return in a bigger ship than they had last time, with stylish destruction that he didn’t take so much care over than he used to. Bored of destroying historical monuments? Is he? Wil the planet get destroyed next time? In acting terms, it’s Pullman who makes the movie work and Jeff Goldblum is good, but his Levinson is already a hero and no longer a cable guy, so it doesn’t come across so funny. Great visuals, beautiful battles, but could have been less confused. The white ball is super. Funniest moments: homosexual death + William Fincher promotes + financial auditor with a gun. The finale in the desert is a feast for the eyes. I enjoyed it. ()

Kaka 

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English Total creative misery and a massive drop in quality. Emmerich seems to have completely forgotten what trademarks and directorial techniques made him rise to the top of the imaginary blockbuster ladder in 1996. His ID4 was funny, dynamic, emotional and at times very chilling. Above all, though, it was hugely entertaining, with interesting characters you rooted for even though (or perhaps because) they were so different. 20 years later, we have a new attack, which is only watchable thanks to the evolution of the digital effects. Because the script is out of the question, the new main characters are uninteresting and boring, and the old ones get little time or are treated reprehensibly badly. You could say that, with the exception of Goldblum, the director hasn't let them age with the grace and refinement they would need, while still being great draws for the young hungry crowd, who, by the way, average about 15 years old and pilot fighter jets, fly to the moon, and sacrifice themselves for humanity without blinking an eye. Overkill is fine, but here it’s often meant too seriously. The mix was simply wrong from the start. The blatant copying of Aliens and Sphere cannot be forgiven either. Truly a giant disappointment of intergalactic proportions, and I think back with nostalgia to the perfectly polished and charismatic first film. ()

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Stanislaus 

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English Fans of the first and opponents of the second may be annoyed, but I have to say that I enjoyed Independence Day 2 as much as the first. Admittedly, in this case it's like a magnifying glass, so there's more of everything, everything is bigger and more apocalyptic and so on. But I had fun, just as I did with the first one. Roland Emmerich works the same way, so you could count on bombastic effects, a few WTF scenes and the blatant heroism of the main characters, and I didn't expect anything more than that. I went to the cinema mainly expecting to watch an audiovisual orgy of monstrous proportions, where I would have the power to switch off and not have to think too much, and that's exactly what I got. In short, a popcorn flick with all the trimmings that can evoke both a sense of nostalgia and a sense of outrage, and in my case it was a nicely made (if slightly silly at times) respite. ()

Marigold 

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English What more can I say? An old liberal, all of whose ships have already sailed, but who miraculously continues to knead his overpriced anachronistic visions united by states of love and tolerance. It's half scandalous and half terribly contagious. When two old gays heartbreakingly say goodbye on the screen or Bill Pullman is pulling humanity together with another speech just after a brain collapse, it reminds me why I love Roland so much. He brought the over the top principle very over the top. He doesn't understand the business as much as Michael Bay, so even a meeting of a Chinese sexy wonder, an American yuppie, an Australian surfer, a Jewish morose and an intergalactic ball on the autopsy table looks like a magical mistake, which is a bit unknown to the viewer. The film is best described by two scenes - old Levinson, who sells a discounted book How I Saved the World to comatose retirees, and Dr. Ocun, who immediately begins to kick alien ass after waking up from a 7,300-day coma. This is exactly Independence Day 2. (I'd really need to see part three, btw) ()

MrHlad 

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English The whole Independence Day: Resurgence felt a little lame. The first hour is downright boring and extremely rushed, a lot of things happen and a bunch of new characters are introduced, but those things aren't very important or spectacularly executed and you care less about the characters than you do about the Namibian regional elections. It's nice to see Bill Pullman and Jeff Goldblum in action after all these years, but it's impossible to say that their presence makes the second Independence Day a better film. If they thought we'd applaud the excitement of seeing a heroic president and a likeable nerd save the world years later, they miscalculated. Independence Day really isn't about the characters, so there's not much point in revolving around them for an hour. It's boring. The action does kick in in the second half, but honestly Roland Emmerich has made more interesting stuff, and pulling a Chinese big city and then dropping it on London no longer impresses in the blockbuster universe. This and the aerial battles and the finale on the ground are fine, but none of it is interesting enough to help the film get out of the "pretty OK summer sci-fi washout" box. Unlike the first film, there's a woeful lack of wit, workable pathos, and most of all, those one-dimensional but still likeable heroes you'd root for. Here, you have either anonymous characters bullshitting or quite effectively but not extravagant action. It doesn't hurt in the cinema, but I'm looking in vain for a reason to see it a second time. ()

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