Argo

I am very glad that Ben Affleck realized quite early on that he is not such a good actor, but that he might have talent for other professions in the film business. In 1998, he discovered that he has a talent for screenwriting because he won an Oscar for the screenplay of the film "Good Will Hunting" together with Matt Damon. What surprised the whole world even more was the fact that Ben is a great director. He proved it with his first film "Gone Baby Gone", and even more so with the film "The Town", but perhaps the most surprising thing was when he finally ventured outside of the city and surprised both critics and audiences with the film "Argo". More: http://www.filmovy-denik.cz/2013/02/argo-2012-85.html (2013-04-09)

A precise picture. Ben leaves nothing to chance, unlike the Yankees on this operation. He knows very well what he can and can’t get away with. It’s not such a blockbuster as for instance The Town, but even so, Argo is pretty original, ingenious and historically accurate. Ben’s acting is rather dry, not attracting attention to himself (maybe a bit of a shame), but he’s still cool. In terms of acting, no problems with this movie. De-restricted material about how some non-existing dumb sci-fi saved lives will shut the mouths of people who badmouth sci-fi fantasy movies for being irrelevant. Argo is one of those irresistibly cheap combos of Star Wars and John Carter that has something to say to people in this century too. A bit of a problem is contrasting sprightly Hollywood (still with the old, tumbledown sign - the period accuracy is spot on) and Iran where a city-slicker hangs from the crane by his necktie. In any case, it’s a quality genre movie and I can’t wait for another movie with Ben. Argo fuck yourself. (2012-12-05)

Among film fans, it is a well-known fact that Ben Affleck is a much better director than an actor. But he is apparently not such a good director that he realizes the limits of his acting skills and adjusts the casting of the main character accordingly. That is unfortunate. What Ben Affleck builds in the director's seat, the same Ben Affleck tears down in the lead role with his bloodless performance. It's certainly not embarrassing, but it needed to be cast with a top-notch character actor. Ben Affleck's ability to create and maintain tension, his meticulousness in capturing the atmosphere of the 70s, as well as the revolutionary conditions in Iran after the fall of the Shah, still remain. In the field of political thrillers, it's not at the absolute peak, because Ben Affleck couldn't avoid a few unnecessarily melodramatic moments or getting emotional in family scenes, and the viewer's suspense is further marred by the fact that a film based on a true story has nothing to surprise you with and you simply know from the very beginning how it will end. On the other hand, it is a strong above-average film and it is a joy to watch such a well-executed screenplay. Overall impression: 75%. (2015-04-20)

Argo is based on the serious topic of Americans whose lives are in danger as they are stranded in Iran, sensitively lightened up by a playful Hollywood approach. The director’s craftsmanship is excellent; Ben Affleck is growing up. The clichéd scenes in the last third are probably not an accurate depiction of the actual events, but they fit well in the film’s concept, where a reallife political problem is resolved at the last minute by means of Hollywood heroism reminiscent of a comic book. Argo is visually polished and has a great cast and period atmosphere, as well as fantastic music by Alexandre Desplat. (2013-02-07)

Ben Affleck confirms his quality as a director. This time, and based on the responses from abroad, he hit the bullseye of the taste of the American public and critics, and it’s no wonder. Argo is a decent period piece, a thriller, a drama, has a pinch of filmmaking comedy, it’s based on real events and you end up rooting for the clever and nice Americans. And from a genre perspective, it can be viewed without any politics. Personally, however, it didn’t captivate me, maybe because the climax relies too much on coincidences, and though the tension escalates nicely, the overall pleasant realistic feeling is lost. But overall, it’s your typical well made four star film, and a nice scapegoat for anti-American posers. (2012-12-01)