Trance

Danny Boyle is a director whose work cannot be overlooked. He handles the craft perfectly, he is creative and playful, and able to surprise us with technical tricks and film effects. Whether he works in any genre, he can create an impressive spectacle and his directing skills often overshadow weak screenplay foundations and outweigh banal subject matter. Trance is, at first glance, a crime film about a heist that, after the initial success, gets stuck and turns into a nightmare for its participants. The heist was successful, but the question remained: where is the loot, who is trying to blind everyone, who is being manipulated by whom, and who is pulling the strings? Although I understood that Boyle was primarily playing with me as a viewer, I easily engaged in the game and I can say for myself that I enjoyed it probably more than all three of Danny's previous films combined. For the average summer movie theatergoer, Boyle's thriller is probably too complicated, resembling a complex strategic board game where most players expect a lively party game without excessive mental strain. However, I very much enjoyed all the twists where the view of the earlier plot and its actors fundamentally changed, and I don't mind that in reality, hypnosis wouldn't work like this. In my opinion, Trance is one of the few films that can be enjoyed repeatedly and even appreciated more during subsequent screenings. Overall impression: 95%. (2013-07-08)

Knock! Knock! Knock! A cute crime movie, cut precisely to suit today’s fashion. It’s just that hypnosis isn’t so central as PR tried to imply and the painting isn’t absolutely what this is about. Sanity, lies, anger, love and hate. Boyle mixed this cocktail following his own traditional recipe and his signature is apparent in almost every shot (the beaker thrown at the camera), maybe the trailers gave away too much. Cassel excellent, Rosario Dawson super smooth and McAvoy masterfully swaps roles and is the inconspicuous puppet master of the entire Trance. Delightful and not completely stupid. Rick Smith supervised the creation of the first-rate music. (2013-07-13)

Danny Boyle is simply awesome. Trance is not his best movie, but it doesn’t change the fact that he is able to film literally anything. He had fun with the camera in a drug lair, in an Indian slum, near the Sun, with millions in his suitcase or he sweated for 127 hours in the mountains and this time for a change hypnosis plays a major role, and we see an entanglement of the whole story with the aim of preparing a shocking finale. And he succeeded. The movie may be a little too dynamic and a bit complicated, but that’s simply Boyle and that’s why I like him so much. The whole movie really has guts and every five minutes there is something happening that turns the story upside down. If you can accept that, you will be satisfied. (2013-10-16)

Boyle is similar to Nolan and Tarantino in that every film is original, yet he still maintains some of his traditional directing finesse. He attacks the audience with opulent minimalist visuals as well as dense psychology. Trance has excellent visual aesthetics, light manipulation, and a contemporary feeling. It captivates with a strong screenplay and the fact that despite the several script spirals and twists towards the end, the film never gets tangled. The plot is clear, well-explained, and makes perfect sense. At the same time, the theme of hypnosis is presented complex enough to fascinate and immerse the viewer, but also concisely enough to not bore someone who doesn't understand it and won’t make any sense to a layman. (2014-01-18)

Okay, it's true that this movie is very convoluted and that I wanted to see it mainly because Rosario Dawson is in it and she really shows a lot. A gorgeous woman. "Trans" is cluttered and something could be cut out, but the rules are clearly set and the truth can be anywhere. It's up to you whether you accept the message of the film or not. And I accept it, especially when the actors are this great. Danny Boyle is once again very brave. (2013-10-23)