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Global action star Liam Neeson stars in Non-Stop, a suspense thriller played out at 40,000 feet in the air. During a transatlantic flight from New York City to London, U.S. Air Marshal Bill Marks (Neeson) receives a series of cryptic text messages demanding that he instruct the airline to transfer $150 million into an off-shore account. Until he secures the money, a passenger on his flight will be killed every 20 minutes. (Universal Pictures US)

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POMO 

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English You’ll keep telling yourself that if the screenwriters don’t mess it up, it’s going to be a perfect aero-thriller. Non-Stop has a fast pace, a charismatic lead actor, rising paranoia and escalating suspense. But the screenwriters do mess it up, and even though the suspense remains, the film gradually loses its seriousness and in the end leaves you smiling indulgently over another silly action flick with a 1990s mentality (as you could expect from a Joel Silver production). A piece of advice: if everyone on the plane thinks you’re a terrorist and the situation gets out of hand, just tell them that your daughter died of cancer. ()

Kaka 

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English A solid average that’s nothing to write home about. There’s an undeniable partial originality in terms of visuals (the text messages in the background, etc.) and in terms of the progression of the plot, when Liam Neeson, as a retired Marshall, falls into solid paranoia in the first act, but that's about it for anything truly interesting. And no, don't expect any action this time, this is not Taken. The only truly interesting fight is the opening one in the toilet, and it doesn’t get any better than that. On the other hand, what is not missing is the traditionally overblown ending and the digital landing. ()

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kaylin 

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English Excellent thriller, which gradually runs out of ideas and it is clear that the ending will somehow be forced. Liam Neeson is great once again as an action hero, except for the strong emotional speech that was dictated to him by the screenwriters. Otherwise, I must say that I enjoyed the film because of its palpable tension. It doesn't last the whole time, but you will be rooting for Liam. ()

Marigold 

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English B-movie shit that deals with its stupidity with an A-cast and ambitious emotional directing (after The Grey, Liam's pensive self-beautiful beginnings are probably becoming a tradition). The more refined the screenplay wants to be, it has to find that much more of a stupid and overcomplicated solution in a situation that makes no sense. That's because the screenwriters want you to knot your brain cells a little harder through a "big mystery". Were it not for the fact that the viewer can accept Neeson dramatically gargling of toilet disinfectant, this mannerist pretense of an intelligent thriller would be hardly bearable. This way, the stench pours out in the last ten minutes. But it is worth it. [55%] ()

3DD!3 

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English Hitchcock with french fries. The first half works outstandingly, but gradually the lapses begin mounting up and by the finale it’s turned into a 90s air disaster movies the likes of Executive Decision or Air Force One. But the beginning is atmospheric, actors great, Liam Neeson continues to build his hard guy aura. Collet-Serra is a good filmmaker, but nobody wants to give him a decent screenplay, so for now he’s made friends with guns and Neeson. We can at least be pleased about that. ()

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