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Jupiter Jones was born under a night sky, with signs predicting that she was destined for great things. Now grown, Jupiter dreams of the stars but wakes up to the cold reality of a job cleaning toilets and an endless run of bad breaks. Only when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down does Jupiter begin to glimpse the fate that has been waiting for her all along - her genetic signature marks her as next in line for an extraordinary inheritance that could alter the balance of the cosmos. (official distributor synopsis)

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lamps 

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English A film where, due to a completely dysfunctional narrative continuity, we often don't even know what awaits us in the next minute (which could be a big plus), but due to a catastrophically overstuffed and unbalanced script, bland characters and a chaotic depiction of everything from the setting to the motivations, we end up not caring about it. It’s hard to imagine a greater travesty that Hollywood, as a purveyor of expensive non-art entertainment with infinite expressive possibilities, from the visual to the aural, has ever produced or will. 20% ()

J*A*S*M 

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English For me, probably the guilty pleasure of the year. The film is aesthetically unattractive, with a leading villain that takes it all the way to 11 and a very incompetent casting. When Mila Kunis tries to look serious, it simply doesn’t work… but when she tries to drop one-liners, it’s almost painful. Only the core premise of planets as people factory-farms or fuel to keep the vitality of the galactic rulers had some potential, but this time the Wachowskis were unable to exploit it. On the other hand, I must confess that, in its own way, this crap was actually fun. ()

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Othello 

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English A fairy tale about how silly Honza saves a passive princess, shot from the princess's point of view. The things that are perceived as negatives here are what I enjoyed most about Jupiter Ascending. First and foremost are the erratic plot dynamics, which, while defying any precepts about how to build, structure, and develop a story, nevertheless make the development of the entire adventure quite unpredictable. They say it lacks humor. How can anyone say that about a film where in one scene we are told that the protagonist hasn't been stung by a bee in her entire life because she’s royalty, which bees can always tell, and in the next scene we’re told that Channing Tatum is the result of a cross between a wolf and a human who had his synthetic angel wings taken away as punishment? Rather, what I see behind the critical and financial debacle of Jupiter Ascending (besides being sunk by Warner’s lack of promotion and ill-timed theatrical release) is a situation where all media space has been filled with established sci-fi franchises from Star Trek to Marvel to Star Wars, and the auteur's (sic cheesy and semi-retarded) vision of an original space opera could not compete in this space with the established brands, their mammoth marketing, and the full-tilt industry accompanying it. ()

novoten 

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English Sometimes it's sad to see how a perfect-looking blockbuster can crumble into smaller and smaller pieces with each scene. What starts with the absurd scenes with the Russian family the script calmly continues with random scenes without no explanation of bizarre names, theories, and memories, and it absolutely triumphantly concludes with Eddie Redmayne in a perfectly annoying acting role in front of a pre-embalmed corpse that cannot produce a single comprehensible sentence. Lana and Lilly Wachowski should be glad that Channing Tatum smoothly switched to air skating, because without his aerial antics in the final fiery inferno, the rating would unquestionably drop into even more terrifying places. ()

D.Moore 

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English I didn't expect much, but I got more than enough. Fabulous sci-fi trash in the best sense of the word (in short, a full-fledged successor to 1980's Flash Gordon), set in an absolutely amazing world and almost constantly entertaining. Hand on heart, it's not much different from the much-vaunted Marvel movies. True, there could have been a little more perspective (crop circles and space bureaucrats with Terry Gilliam amused me immensely), but then Jupiter Ascending could also have turned into an awkward comedy, which the Wachowskis (after Speed Racer, thank God) clearly didn't intend. The action scenes are superbly engaging, the special effects are lavish, everything is nicely clear and understandable, but perhaps the most pleasing thing for me was Michael Giacchino's bombastic music and its judicious use, which makes it not really stick out from the film , but it is not simply neglected either. Four pure stars and I'll probably go to the cinema again (I'll put on Flash Gordon before that happens). ()

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